For your consideration…
Grammy Award winners, Los Texmaniacs, are back with a new studio album–Americano Groove. The new album is bold, offering a variety of music: Tex-Mex, cumbia, country, funky Latin rhythms, and other familiar stylings in music. Throw in a star-studded group of guests like Alejandro Escovedo, Kevin Fowler, Joe Ely, Rick Treviño, and Los Lobos’ David Hidalgo and you have the makings of a collector’s item. It truly is an Americano Groove.
Down in the Barrio kicks off the album; a tune filled with social commentary about barrio realities and solutions. Escovedo joins in on this one while the band provides a solid rhythm. Ya No Te Quiero Ver is a sped-up polka
“tell-off” tune that allows Josh Baca to flex his acordeón abilities and Max Baca isn’t too far behind with a bajo sexto solo. How Can a Beautiful Woman Be So Ugly has that Tornado-esque feel created by Augie Meyers’ organ while telling us the story of a heartbreaking woman. How Long Is Patient is a Baca-delivered ballad, with help from Tania Marie, centered around the strumming of a bajo sexto and an electric guitar–a pretty awesome combo.
Country star Kevin Fowler joins the production on Adios Mamacita–a fun Tex-Mex rockabilly tune about a crazy, yet fun, woman. Known for their power polkas, Max and his nephew Josh Baca on acordeon take us back to when polkitas were played with a bajo sexto and acordeon around a camp fire with Muchachos Alegres. Then, the legendary Joe Ely joins in on I Wanna Known Your Name, in another Tex-Mex rocker of a song.
Herido, a haunting ballad about love ending, is aptly delivered by drummer/guitarronista Lorenzo Martinez. Como Te Quiero is a ranchera that has gained popularity at live gigs and was showcased at the 40th Anniversary concert of A Prairie Home Companion. With the traditional conjunto sound with slide guitar thrown in, this tune will definitely be a favorite.
Rick Treviño proves he’s still got it with the country tune Big Night in a Small Town. Los Texmaniacs add in what can be called a cumbita raza, Mentirosa, with its barrio slang, and Lobos-esque style and harmonies; not to mention a searing guitar solo by David Hidalgo. And the album ends strong with Polka Palitos, again, done in the traditional bajo/acordeon style of the old days with a strong full conjunto ending.
The album was produced by Los Lobos’ Steve Berlin, a legend himself. There’s an obvious tell of his involvement with how easily various non-conjunto instruments are mixed in. More than the obvious risk-taking in doing a different kind of Tex-Mex album is the feeling of how fun it may have been to record this project. To have been a fly in the wall of that studio.
Anyway, look for the album online. Since I really wanted the liner notes to this one, I found it at Wal-Mart this morning. Get your copy today!
Come hear Tomas Q. Morin read from his recently published translation of Pablo Neruda’s The Heights of Macchu Picchu and Paul Otremba read from his recently released book, Pax Americana.
Today, 5-1-15 at 7PM
Brazos Bookstore, 2421 Bissonnet, 77005
Well, I’m excited about seeing my friend, Tomas. We’re both SWT (Texas State) grads and haven’t seen each other in 17 years. I knew him when he was a student serving as a tutor for Bobcat athletes and I was their academic advisor. Here’s his professional bio:
Tomás Q. Morín’s poetry collection A Larger Country was the winner of the APR/Honickman Prize and runner-up for the PEN/Joyce Osterweil Award. He is co-editor with Mari L’Esperance of the anthology, Coming Close: 40 Essays on Philip Levine, and translator of The Heights of Macchu Picchu by Pablo Neruda. His poems have appeared in Slate, Threepenny Review, Boulevard, Poetry, New England Review, and Narrative.
Paul Otremba’s Bio:
Paul Otremba is the author of two poetry collections, The Currency (Four Way Books 2009) and Pax Americana (Four Way Books 2015). Born and raised in Minnesota, Paul studied English and Philosophy at the University of Minnesota before receiving his MFA from the University of Maryland and a PhD in creative writing and literature from the University of Houston.
Paul has published widely in journals, including The Kenyon Review, New England Review, Literary Imagination, Forklift, Witness, and multiple appearances on Poetry Daily. In honor of his poetry, he has received scholarships and a fellowship from the Bread Loaf Writers’ Conference, a Barthelme Memorial Fellowship, a Krakow Poetry Seminar Fellowship, and a prize from the Academy of American Poets.
His essays, poetry reviews, and food writing have appeared in Tikkun, The Houston Chronicle, Spoon Magazine, and in the anthology American Poets in the 21st Century: The New Poetics. Paul is an Assistant Professor of English at Rice University.
So, come check out these fine poets.
Houston.CityVoter.com has an online contest where visitors to the site pick “Houston’s A-List,” including the category of Best Local Charity.
Note: You’ll have to sign up to the site, but it’s easy! Voting ends May 31st.
I’ve known Ruben Cubillo’s work for a long time. I’ve been a Tejano music fanatic since the single digits, and even as a kid in the 80s, I was always interested in the behind the scenes stuff about albums. It helped that one of our neighbors, Bobby (Gallo) Gallegos was a musician himself and had a lot of war stories to tell which included some names from bands like The Latin Breed, Tortilla Factory, Little Joe, Johnny y La Familia, and countless others.
I may not have known anything about music production, but I always paid attention to the names of producers, sound engineers, studio musicians, and especially the graphic artists for future contemplation and comparison. It was kind of like a hobby which continues today because I really love this music.
One name that seemed to pop up on albums often was Ruben Cubillos and his company A Big Chihuahua. If you love the first EMI Latin Selena album cover, well, it’s Cubillos who was the genius behind it.
Austin writer Juan Castillo offers up an excellent interview with Cubillos on NBCNews.com about his history in the industry. One bit of great news is that Cubillos is the guy that designed Juan Gabriel’s Los Duo album cover, as well as a new project coming from the legendary Ruben Ramos.
In this world of music downloads and Spotify accounts, let’s not forget about the importance of album covers. For most albums, the art is the selling point. The layouts, the liner notes, etc., tell more of the story of a band and the project they are selling you. Pay attention!
Definitely save the date for this important event regarding the President’s Immigration Executive Action:
Immigration Rally on Executive Action
Saturday, February 7, 2015
2:00 p.m. (doors open at 1:15 p.m.)
Lindale Assembly of God
Houston, Texas 77022
What to expect:
Information about Executive Action
Guests: Bishop JR Rodriguez, Congressman Luis Gutierrez, Rev. Dr. Gabriel Salguero
For more information: www.nalec.org
I remember it was 1995 at one of the big Tejano clubs in San Antonio. I took a night off from studying and made the trek from San Marcos to check out a young band that was gaining popularity. I had become an instant fan of Intocable when they released Fuego Eterno. Now, I got my chance to see them live and, man, did they tear the place up. It was like a rock show–lights, smoke, and yes, music.
Lead vocalist Ricky Muñoz gave the band his own voice and acordeón stylings and his band had their own sound. Norteño, yet with hard-driving drumming by Rene Martinez, tough bass lines, and a rock-tinged bajo sexto by Johnny Lee Rosas, it surely wasn’t your parents Ramon Ayala or norteño music. It shouldn’t be a surprise that a twenty year career has earned them millions of albums sold, sold out tours, seven Latin Grammys, and two Gringo Grammys, among other awards.
Twenty years later, the formula hasn’t changed, but they have pushed the envelope, whether through crossover anthems or through back-to-roots albums, or pop-flavored ballads. Twenty years later, they still sell-out huge venues in Mexico and the US–even taking their music to Colombia and Central America, and even The Greek in LA. And twenty years later, Intocable has given us the gift of a live album to celebrate their 20th anniversary.
Seldom do live albums take us from day 1 to today, but XX does. Starting with hits like Vete Ya, Parece Que No, and Coqueta, and on through Nos Falto Hablar and Culpable Fui, Intocable takes us through a career filled with memories and music–for the band and the listeners. Twenty live hits and an hour later it feels like one has gone through a powerful set.
The guys even add one de pilón; a cumbia titled Cajita de Carton.
Musically, the band is as tight as ever, even adding a second bajo sexto years ago to strengthen the sound. Listening to the old hits played by today’s Intocable standards is a treat that all will enjoy.
Anyway, it’s a must buy for the collection.
2015 will be a huge year for Intocable as they hit the road all over the country, but a few tour stops caught my eye: 2/13- Minneapolis; 2/27 – South Bend, IN; 2/28 – Detroit; March 1 – Queens, NY; March 21 – Bolivia. Hope the guys say hello to Evo Morales for me.
Intocable is: Ricardo Muñoz, Rene Martinez, Sergio Serna, Johnny Lee Rosas, Juan Hernandez, and guest bajo, Alejandro Gulmar.
|2.||Parece Que No|
|4.||Y Todo Para Que?|
|6.||Eres Mi Droga|
|9.||Fuerte No Soy|
|10.||Estas Que Te Pelas|
|11.||Ensename A Olvidar|
|15.||Alguien Te Va A Hacer Llorar|
|17.||Tu Adios No Mata|
|18.||Robarte Un Beso|
|19.||Nos Falto Hablar|
|20.||Culpable Fui (Culpable Soy)|
|21.||Cajita De Carton|
From Juan Tejeda:
Attention visual artists and graphic designers. The Guadalupe Cultural Arts Center wants you to submit a poster for the 34th Annual Tejano Conjunto Festival Poster Contest 2015. The Overall Winner receives a $1,000 cash award and the winning selection becomes the official poster for the 34th Tejano Conjunto Festival en San Antonio 2015 to be held from May 13-17. A Top Selection and Honorable Mention poster will also be selected in the middle school, high school, college level, and open categories. Deadline for submission is February 7, 2015. For the complete rules & guidelines, click here. FEBRUARY 7, 2015 DEADLINE!
Chris Bell, former Congressman and Houston City Council Member, is set to announce his candidacy for Houston Mayor on Sunday afternoon. This will be Bell’s second run for the post (last run was 15 years ago) and he’ll become the second progressive-leaning candidate to announce a run in what will likely be a crowded field.
This is a serious election. Folks should get to know their candidates, so, here’s an opportunity to learn about one of them.
Announcing my candidacy for Mayor of Houston this Sunday, 1/25, at 3:00 at Sam Houston Park, 1000 Bagby. Please retweet and join us!
— Chris Bell (@ChrisBell2015) January 22, 2015