I was in the middle of celebrating my birthday with some friends and breakfast tacos when I got the alert bearing the awful news of music icon Jimmy Gonzalez’s passing. It wasn’t until I made it home that I got to think about the impact he made in the Tejano music industry over 40+ years of performing, producing, composing, and singing.
An accomplished guitarist, Gonzalez was the musical director of the iconic Super Grupo Mazz, founding the band with his childhood friend and vocalist, Joe Lopez. So close were the two that they were actually both born on the same day, say year, and 30 minutes apart. Started in 1978, the group, with RGV Onda Chicana roots, took a bold turn toward Spanish-language pop and cumbia music producing albums that weren’t easily accepted by Chicanos–who didn’t expect some boys from Brownsville to perform disco-esque music en Español. Adding some much wanted rancheras and polkas to their follow-up albums shot them toward being a radio and fan favorite.
Hoy, Laura Ya No Vive Aqui, Yo No Se, Calla, and many more hits recorded under an indie label provided a solid foundation during the 80s. But when the 90s heyday rolled in, it was labels, such as CBS/Sony and Capitol/EMI that would catapult them toward regional, national, and international success. Songs, such as Laura, No Te Olvidare, and Ven Devorame Otra Vez would turn into record album sales which then turned into year-round touring, which included luxury coaches and semis to carry light shows and professional PA systems. From nightclubs to ballrooms in rural towns to convention centers in big cities and even arenas around the US and Mexico, they attracted thousands to their shows. They’d even lend their talents to political fundraisers throughout South Texas, as both Joe and Jimmy experienced the challenges that most working class Chicano families experienced and wanted to change for the better by supporting good candidates.
Leading the musical charge for Mazz was Jimmy Gonzalez, who took on producing, arranging, booking, and management duties along with his edgy and innovative guitar playing and harmonies. Though the Tejano bubble of the 90s was short-lived while Tejano radio stations closed and an internationalized music industry gave less respect to the Tejano genre, Mazz continued to work, though, by 1998, Jimmy and Joe parted ways, each with their own projects and goals. But, yes, Mazz continued.
With a Texas-based label, Freddie Records, Gonzalez and Mazz would record 18 albums over the course of 19 years. Gonzalez’s latest, Porque Todavia Te Quiero, was just released in April and enjoying the usual airplay earned by Mazz’s reputation for producing good music. Many Tejano Music Awards and Latin Grammys later, Gonzalez was definitely enjoying his success and what he offered the industry. He also enjoyed working alongside his sons who were an integral part of his organization.
My friends at TejanoNation have more to add about Jimmy Gonzalez.
Thanks to my sisters, I was introduced to Mazz in 1979 (on 8-track tapes) and my first live show was a concert thrown by the CCHS Senior Class in 1981 at our football stadium. Yeah, I was a kid at the time. Since that time, I attended many shows and I was even at the live recording of Una Noche Juntos: Live at San Antonio’s Rosedale Park in 1992, along with 8,000 of my closest (like sardines) friends, during my college days. My mom and her comadre would joke that one was Joe’s girlfriend and the other was Jimmy’s, they loved their music that much. So, one can imagine that many memories were flowing throughout the day and I wasn’t the only one going through this. So many of Jimmy’s fellow musicians and singers, along with DJs and promoters, posted throughout the day of their experiences with Jimmy–at concerts, at recording studios, and everything in between. The Tejano music industry, though competitive at times, is a very tight-knit group. It’s really a family and it has lovingly come together to celebrate Jimmy’s life.
DosCentavos sends condolences to the family of Jimmy Gonzalez and the Mazz organization, as well as Freddie Records.
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