I’ve known about Gregg Barrios for a long time.
The former Crystal City educator impacted a lot of students’ lives, mentoring so many kids who became leaders in their respective communities, taught students during the 1969 Crystal City Walkout, and was even the print communicator of La Raza Unida Party with the newspaper, La Verdad. Of course, I wasn’t even born and/or was very young during this part of his life. But he left his mark on Cristal and I learned about it.
Beyond Cristal, he impacted even more lives as a journalist, writer, poet, playwright, cultural critic, and recognized literary figure. To call him a genius and a force of nature doesn’t do him justice because he already knew he was both. Gregg passed away suddenly last week.
He is being remembered by many on his FB page–so many stories. I’ll forever be proud of being included as “Dos Centavos” in the acknowledgments of his poetry work, La Causa, as I had shared some of his works and linked to many of his writings in Texas Monthly, LA Times, and the San Antonio Express-News on DosCentavos.net as a way to support him.
I wrote a lot about his play, Rancho Pancho, which he debuted in San Antonio in 2008, staged in Provincetown, MA at the Tennessee Williams Festival, and finally, at the National Hispanic Cultural Center in Albuquerque to rave reviews . It was during this time when I finally met him. It was during the trip to catch Rancho Pancho in New Mexico when I found out he had mentioned me in La Causa, which really touched my heart.
Rancho Pancho is the story of Williams’ tempestuous relationship with South Texan Pancho Rodriguez. Racism, classicism, the nature of superior/subordinate relationships, and the influence of Rodriguez on Williams’ work are just a few of the themes touched on in this play.
And my nephew was cast in the play as Pancho just after he graduated from university and as he was headed to LA to begin his professional acting career. So, needless to say, I became quite the follower of Gregg’s work and exploits as he kept in touch with my family over the years.
On October 15, 2021, Gregg was to be honored by San Antonio Writing Center, Gemini Ink, at their annual Inkstravaganza with the Award of Literary Excellence. So, I’ll steal from them the bio they used on Gregg:
Gregg Barrios is a first-generation playwright, poet and journalist. He is also a graphic digital artist and film-maker. His award-winning plays have been produced in San Antonio, Phoenix, Los Angeles, Mexico City, Albuquerque, Provincetown, and New York City. He has received a Rockefeller Grant, a Mark Taper – CTG Fellowship, and an Artist Foundation of San Antonio Grant for his theater work. The San Antonio Current has called him “A Texas Treasure.”
Barrios’ journalism has appeared in The New York Times, Film Quarterly, the Los Angeles Review of Books, San Francisco Chronicle, Film Culture, Los Angeles Times, and the Texas Observer. He is a former books editor and columnist for the San Antonio Express-News. He was a founding editor of the local Spanish language daily Rumbo, and an editor of La Verdad, the Raza Unida Party newspaper. Barrios received a USC Annenberg Getty Arts Journalism Fellowship in 2013, and was inducted into the Texas Institute of Letters in 2015. He received a Golden Gavel for his literary work from the Texas House of Representatives, and was the 2015 Fall Visiting Writer at Our Lady of the Lake University. He currently serves on the executive board of the National Book Critics Circle.
Barrios credits his time at Andy Warhol’s original Factory as transformational. He made an experimental film, BONY (1967), with/about Warhol “superstars” poets Gerard Malanga and art critic René Ricard. He later collaborated with Warhol on a Nico music video. His short film Desperately Seeking Dionysus (1968) was part of the Velvet Underground NYC exhibit in 2018. Excerpts from Barrios’ original Bowie-inspired rock musical Stranger in a Strange Land (1976) were featured in Monarchs: Brown and Native Contemporary Artists… exhibited at Blue Star Contemporary, also in 2018. In 2019, the Austin Film Society honored Barrios for “bringing film culture to Austin through Cinema 40 Film Society” that he founded as a UT student in 1965. Recently, his digital photography was part of the City of San Antonio Department of Arts and Culture at the Centro de Artes exhibition for the New York Foundation of the Arts.
Barrios has written four poetry collections: Air-Conditioned Apollo (1968); Healthy Self (1979); Puro Rollo (1982); and La Causa (2010). His poetry has appeared in Hecho en Tejas, Latina Magazine, Harvard Review, Aztlan and Vietnam, Fiesta en Aztlan, New Orleans Review, and Home Front: An America at War Reader, Lowrider, and El Quetzal Emplumece. An anthology of his poetry “My Life: The Poem I Never Wrote: New & Selected Poetry 1968-2021” (Hansen Poetry) is scheduled for publication in 2021.
Barrios served in the USAF as a combat medic during the Vietnam War. He appeared in “Telling SA,” The Tobin Center’s theater production, and on the PBS national broadcast of San Antonio veterans. He was a Harvard Fellow in 2017 and a Yale Fellow in 2019. Recently, he endowed Urban-15’s Mega Corazon with the Gregg Barrios Beautiful Words Prize for the Best Poetry Performance. His new play “Hard Candy: The Life and Times of Candy Barr” will premiere at the Gregg Barrios Theater at Overtime in early 2022.
No doubt, there was much more for Gregg to accomplish and more lives to impact. I only hope the projects he was currently working on are continued to their completion.
Gregg Barrios, ¡Presente!
Well, I received a few requests for the flour tortilla recipe that I use. I’m sure you can find a recipe anywhere on the internet, and some may look familiar to this one, yet, folks tell me they didn’t come out right or they were in the shape of a football or Texas. Well, it can happen.
Hey, all. Apologies for not posting much lately. I’ve been living the stay-at-home, physical distancing life for more than a few weeks to the point where I haven’t even cared to write about politics, or anything, much. Our federal and state leaders are failures, but we’ve known this about republinuts forever. Our local leaders are doing the best they can while dealing with failed leaders above them who only want to appease their wealthy buddies and nutjob supporters. Still, I know the local leaders are trying despite those who attack and whine in order to score political points, rather than save lives. 
There’s a good chorizo (the Cacique brand in a tube that costs $1) that Kroger sells that is hardly greasy (by Chicano household standards) and with fewer fillers than most. Or, get a big Russet potato for 68 cents, chop it up or even slice it up and then fry it in a little bit of canola oil (even better with bacon grease and Tony Chachere’s to spice it up) and the papas con huevo come out pretty damn good, too. For all those who say their first trips post-lockdown will be to Tex-Mex restaurants, why wait when you can DIY at home today! Add a pack of HEB flour tortillas or La Banderita corn tortillas and you’re set! (Salsa made from serrano peppers, tomatoes, and a bit of garlic and onion and you’re really set!). It’s great with coffee on a Saturday or Sunday morning.
For a few days, there seemed to be a bread shortage, too. Even the $3 per loaf kind! The Kroger’s sugar free one which I prefer was also missing, although, it’s there, now. So, I walked around looking for some flour–nothing! But there were two bags of wheat flour and packets of yeast, so, I brought them home. I was proud of myself for baking a simple, easy to make sugar-free wheat bread. It reminded me of my mom and dad making a pan loco in our fireplace (because the oven didn’t work) during those cold, winter days. Panic buying be damned, I thought! I can do this!! I did find some regular flour a couple of weeks later, too.
During Week 2, I was hit with the cooking bug again and thought about my Mom’s Mexican arroz. Fry up some white rice on a thin coating of canola oil until it browns. Add some chopped onion so it gets toasted, too. Add some salt and a can of tomato sauce, chicken broth and a bit of water and let the stuff boil, then simmer for 30 minutes or so. Then you fluff it up so it doesn’t stick and add some filler (meat!) to it. It is no longer just a side dish, but a meal! I had never tried to make it because I try to avoid complex carbs and knowing that I can make it could lead to a bodily disaster again; still, it came out pretty damn good. All those years of watching Flo in the kitchen paid off on this one.
I’ve noticed many of my social media connections doing a lot of restaurant pick-up, margaritas to-go, and I think I even saw someone picking up horchata-flavored cold brew to-go. (That’s too damn fancy! And weird!) And that’s great. The restaurants and their workers need help. And if you’re able to afford it, go for it! As for me, I’ll keep on cooking. And I’ll keep on stretching my pantry and my dollar because the future really is uncertain at all levels of society. And if it brings up some cool memories about survival that were made during an equally uncertain period in your life, then you’ve just reminded yourself that you can make it through this period, too!
It’s been a pretty emotional couple of weeks.
Florencia “Flora” Medellín was reunited with the love of her life, Anastacio “Tacho” Medellín, in heaven on January 13, 2016, surrounded by her children, grandson, and son-in-law at Methodist Hospital West in Houston, TX. She was born November 5, 1930 to Jesus Serna and María Teran Serna in her beloved home town, Crystal City, Texas.
In the Spring of 1959, while she was visiting relatives in Crystal City, she reconnected with her childhood friend and neighbor, Tacho Medellín. It was a whirlwind romance, with them spending entire days at the Popeye Baseball Tournament, at a carnival (where he won so many stuffed animals for her she had to give many of them away), and driving around Crystal City—with his sisters, Mary and Concepcion, acting as chaperones. As promised, he traveled to Indiana to ask for her hand in marriage and make plans for the wedding. They were married October 17, 1959 at St. Mary’s Catholic Church in Decatur, Indiana.
After her husband’s untimely death in 1990, she lived with her children, Sylvia and Tacho Jr. in Austin, then moved to Fort Worth with Toni, Ben and Benny. During the twenty one years she lived with the Briseños, helping to raise her grandson, she lived in Philadelphia, Tulsa, Kingwood (Houston), Denton, and Cypress, where she made lifelong friends along the way.
doscentavos.net 
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