Tag Archives: heights theater

DC Reviews: La Santa Cecilia ~ Amar y Vivir

81ezh15i8xl-_sy355_Released just in time for their arrival to Texas, La Santa Cecilia’s Amar y Vivir can only be described in a word:  Special. It’s a visual album, with already a few videos of their album performances on YouTube.

It’s traditional, it’s modern, and it’s full of love and life. The LA band’s newest production was recorded live in Mexico City at various plazas and locations around the city. With invited guests, such as Comisario Pantera, Noel Schajris, Mariachi America, Rebel Cats, Caña Dulce Caña Brava, Mon Laferte, and the amazing voice of Eugenia León to sweeten the various tunes, we are given a musical effort that will remain timeless.

Equally timeless is the voice of La Marisoul (Marisol Hernandez) who seems to knock every tune out of the park. While the guest artists provide some beautiful accompaniment, La Marisoul provides the emotional push to ensure a strong delivery of the songs.

The title track, Amar y Vivir, a haunting bolero thanks to some exceptional electric guitar playing, opens the album, while the amazing vals, Odiame, follows, both tunes solidifying the requinto as central to the album. LSC resurrects an old favorite of theirs with a mariachi-powered version of Como Dios Manda. Mar y Cielo is a sweet bolero, while the rockin’ ranchera Mexico Americano is a needed prideful addition.

La Santa Cecilia also managed to send me into a bawling frenzy during this Mother’s Day weekend with a beautiful rendition of Amor Eterno. Needless to say, I really miss Flo.

Volver a Los 17 is a beautiful tune, while Mon Laferte joins in on a wonderful vals, Ingrata. Then, we’re provided quite the treat with Smokey Robinson’s  You Really Got A Hold On Me, which La Marisoul simply owns.

Leña de Pirul is an old standard brought to life again, while Nuestro Juramento is a a beautiful bolero that will get your toes tapping along with lyrics to make us shudder. But it’s the last track, En El Ultimo Trago, which La Marisoul duets with Eugenia Leon, that will get a concert crowd to sing-along.

No doubt, it’s the voice of La Marisoul and the requinto-playing of Pepe Carlos that set this album apart from others in which standards are attempted. With the simple instruments of guitars and requinto, percussion, and upright bass, a foundation is set for an album that treats the songs respectfully and without a need to be showy. La Santa Cecilia is a band of musicians who take their music seriously, and this genre-bending LA band can compete with the best of them.

The new production is available on CD and vinyl. Get yours today!

THE CONCERT at HEIGHTS

La Santa Cecilia came to Texas to perform in the Big 3– SA, Houston, and Dallas–and I was able to check out their show at the Heights Theater. It was the perfect venue for them and a great crowd greeted them on Saturday.

LSC started with their bilingual rendition of The Beatles’ Strawberry Fields Forever, to which they once released a video depicting the travels of the strawberries that end up in our fridges–starting from the fields worked by farm workers. A few LSC favorites into the show, the crowd was told that Hernandez was feeling under the weather, so, she wouldn’t be doing her usual dancing and jumping on the stage which in itself revs up the crowd.

Still, La Marisoul powered through Vengo, I Won’t Cry For You, Sucede and other favorites, only taking a short minute break toward the end of their set. Their show included some of their latest tunes from Amar y Vivir, including the show closer, Mexico Americano, which earned some “Power to the People” fists in the air.

As much as one loves their albums, you can tell how good a band is through their live performances and La Santa Cecilia is just one of those bands. La Marisoul proved that the show must go on and she delivered vocal perfection. Catch them next time they’re in town.

Opening for La Santa Cecilia was San Antonio genre-benders Nicolas Valdez y Los Nahuatlatos. They can go from SKA to conjunto to cumbia and return to all three and more in one set. Valdez was quite impressive on the acordeon as was the horn and rhythm section.

I’m looking forward to the next time I catch both of these bands.

 

Advertisements

Los Texmaniacs, Flaco, Augie, and Guitar Johnny Conquer The Heights Theater

This slideshow requires JavaScript.

Los Texmaniacs brought with them founding Texas Tornados Flaco Jimenez, Augie Meyers and guitarist Johnny Nicholas and brought down The Heights Theater on Friday, 12/23/16. With a mix of Tex-Mex Conjunto, Tex-Mex Rock, and a dash of Country music, the sell-out crowd at the recently re-opened theater enjoyed a truly Tex-Mex Holiday concert.

Los Texmaniacs, led by Grammy winner Max Baca, solidified their place as Americana Music stars showing a diverse crowd that their music goes above and beyond what is usually expected from a Tex-Mex outfit.

I arrived early to gauge fan conversations, though. I didn’t know what to expect from the fans. The convos I heard ranged from love for Augie to worshipping of Flaco. And that was from the Anglos in the audience. They did ask:  Who are The Texmaniacs? Some were confused as they recalled Augie and Flaco as being part of The Texas Tornados. Boy, did they learn who The Texmaniacs are.

Truth be told, though, Max Baca was part of The Texas Tornados touring band. Beyond that, he’s considered Flaco Jimenez a musical father, a mentor, and even a teacher, back when Max was a kid. Decades later, Max gets to play mentor and teacher to his 24 year-old nephew Josh Baca who is on track to becoming an accordion legend like Flaco.

And, yes, there was music. The Maniacs’ first set was a short one and totally Tex-Mex. Kicking off with Lucerito and an instrumental of El Paso and San Antonio Rose. The usual Tex-Mex history lesson is always interesting which included an instrumental of Muchachos Alegres. Then came some country with How Can A Beautiful Woman Be So Ugly. Emotions ran high with a beautiful rendition of Cancion Mixteca. But there was also a new cumbia about a panadero. Most impressive was Johnny Nicholas providing rhythm guitar to the conjunto tunes, as well as some rockin’ solos.

The second much longer set brought on Augie Meyers to a loud response from the crowd. The talent who gave us Hey Baby Que Paso gifted us with that tune and so many others from his solo and Tornados career. Who Were You Thinking Of was one of my favorites. Of course, tears also “Flo’d” (for me) when Augie took on Mama Came To Visit Me In Texas, with only him and the piano. Little did I know it was about a Mama visiting her son from the afterlife, which hit me pretty hard this holiday season. And that’s all I’ll say about that.

Flaco took the stage. He’s had a rough couple of years after a fall and some back and hip surgery, but his 30 minute set was indeed memorable and hard-driving. His accordion playing through Marina and Viva Seguin was impeccable, but it was a couple of tunes that put Flaco on the “mainstream” scene that got a great response. Dwight Yoakum’s Streets of Bakerfield and The Mavericks’ All You Ever Do Is Bring Me Down were just amazing. As Flaco ended his part of the show, he thanked the crowd and then broke into a rendition of Feliz Navidad, on which The Texmaniacs easily joined in. And thanks to Flaco’s son who does so much for his daddy.

The rest of the show was rockin’ with a mix of tunes and genres. Danny Martinez on Drums and Noel Hernandez on Bass provided quite the rhythm section, while Augie Meyers stayed on stage with some improv piano accompaniment to conjunto tunes that seemed just right, especially Mexico Americano. (Max didn’t dedicate it to Trump this time, but by that time the beer seemed to be flowing pretty good amongst the crowd.)

All of this earned Los Texmaniacs, Augie, Flaco, and Johnny multiple standing ovations. And deservedly so.

Every time I leave a Texmaniacs gig I ask myself:  Can they get any better? This was my third time seeing them this year and the answer is a resounding YES! Let’s hope promoters keep bringing them back to Houston. Perhaps as an opener for The Mavericks when they come to town again. (One can dream, right?)

Merry Christmas and Happy Holidays, y’all!