Twenty-five years after the murder of Selena Quintanilla-Perez, her fandom continues to grow, including fans who weren’t even born during her days on the stage. No doubt, Selena, the movie, did a lot to bolster the icon and spread the fact that she existed. And there’s nothing wrong with that.
When I heard of Selena: The Series, I didn’t know what to think. After the movie, what else could be said? Well, for those of us who grew up with her music, watched her in charity softball games, or even stayed around after her early shows, we knew a lot more could be said that hadn’t already been said.
The Selena I remember was thirteen years old, opening for La Mafia at the Crystal Ballroom in Crystal City. My sisters had come to visit from Austin and took me to the dance as the designated bailador for them and their friends. Of course, we knew who La Mafia was. They’d been around for a few years and their innovative, brightly lit, and loud stage shows were already nipping at the heels of bands like Mazz, Roberto Pulido y Los Clasicos, and La Movida.
The place was packed, obviously, but the radio ads hadn’t made mention of an opening band. As a thirteen year-old kid myself, I became interested when I saw a fellow teenager getting up on stage wearing some shiny purple outfits, along with a bunch of young musicians. When they started to play, they had the same professionalism as the other Onda Chicana bands I’d seen, except they were young. Then, the vocalist began to sing and that was it for me. A trip to the K-Mart in Uvalde a few weeks later had me buying one of her cassettes recorded on an indy-label. A few weeks later, she was on Johnny Canales.
In the early 80s, there weren’t many female vocalists that drew big crowds, except for Laura Canales. Stories abound about how badly Laura was treated by promoters and managers and other musicians as she was growing into her career. Selena’s story also tells of her struggles with the pendejos who didn’t take her seriously. Because of my sister’s love of music, I was quite the fan of Laura Canales, too.
There was one guy who was the best promoter of La Onda Chicana at the time and that was Johnny Canales. Canales put bands like Mazz, Laura Canales, Roberto Pulido and so many others on the map through his TV show, El Show de Johnny Canales. And when younger bands like La Mafia, La Sombra, Los Chamacos, and Selena came around with bigger and brighter stage shows, Johnny was at the forefront of promotions–even taking the bands on tours to cities in the Mid- and Northwest where his syndicated show was popular.
So, when I hear the stories that the new Selena netflix series was going to include scenes with actors int he roles of Laura Canales and Johnny Canales, I thought, “Finally!” More of the history of the music and culture is being told, rather than the sensationalized and Univisionized versions put forth through bad chisme talk shows, and yes, even the movie.
So, I’m happy that the show is happening. On top of that, it’s great to see more brown folks on screen, too. I’ll start watching this weekend.