Grammy Award winners, Los Texmaniacs, are back with a new studio album–Americano Groove. The new album is bold, offering a variety of music: Tex-Mex, cumbia, country, funky Latin rhythms, and other familiar stylings in music. Throw in a star-studded group of guests like Alejandro Escovedo, Kevin Fowler, Joe Ely, Rick Treviño, and Los Lobos’ David Hidalgo and you have the makings of a collector’s item. It truly is an Americano Groove.
Down in the Barrio kicks off the album; a tune filled with social commentary about barrio realities and solutions. Escovedo joins in on this one while the band provides a solid rhythm. Ya No Te Quiero Ver is a sped-up polka
“tell-off” tune that allows Josh Baca to flex his acordeón abilities and Max Baca isn’t too far behind with a bajo sexto solo. How Can a Beautiful Woman Be So Ugly has that Tornado-esque feel created by Augie Meyers’ organ while telling us the story of a heartbreaking woman. How Long Is Patient is a Baca-delivered ballad, with help from Tania Marie, centered around the strumming of a bajo sexto and an electric guitar–a pretty awesome combo.
Country star Kevin Fowler joins the production on Adios Mamacita–a fun Tex-Mex rockabilly tune about a crazy, yet fun, woman. Known for their power polkas, Max and his nephew Josh Baca on acordeon take us back to when polkitas were played with a bajo sexto and acordeon around a camp fire with Muchachos Alegres. Then, the legendary Joe Ely joins in on I Wanna Known Your Name, in another Tex-Mex rocker of a song.
Herido, a haunting ballad about love ending, is aptly delivered by drummer/guitarronista Lorenzo Martinez. Como Te Quiero is a ranchera that has gained popularity at live gigs and was showcased at the 40th Anniversary concert of A Prairie Home Companion. With the traditional conjunto sound with slide guitar thrown in, this tune will definitely be a favorite.
Rick Treviño proves he’s still got it with the country tune Big Night in a Small Town. Los Texmaniacs add in what can be called a cumbita raza, Mentirosa, with its barrio slang, and Lobos-esque style and harmonies; not to mention a searing guitar solo by David Hidalgo. And the album ends strong with Polka Palitos, again, done in the traditional bajo/acordeon style of the old days with a strong full conjunto ending.
The album was produced by Los Lobos’ Steve Berlin, a legend himself. There’s an obvious tell of his involvement with how easily various non-conjunto instruments are mixed in. More than the obvious risk-taking in doing a different kind of Tex-Mex album is the feeling of how fun it may have been to record this project. To have been a fly in the wall of that studio.
Anyway, look for the album online. Since I really wanted the liner notes to this one, I found it at Wal-Mart this morning. Get your copy today!
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