Tag Archives: tejano music

TMA Fan Fair ’18 in SA This Weekend

From the inbox:

#tejanomusicawards2018 Media Alert #tmafanfair2018 #sa300               

Monday, March 12, 2018                                                                                      

TEJANO MUSIC AWARDS FAN FAIR 2018 

Set for March 15, 16, 17, 18, 2018 at Historic Market Square San Antonio

Celebrating Over 21 years of showcasing Tejano Music Bands from Across the U.S.A and the World!

Four Days of  FREE Non-Stop Tejano Music 

CLICK HERE FOR SCHEDULE

Over 200 Tejano Bands from Across the U.S.A & Mexico

TMA FAN FAIR 2018 WEEKEND, THURSDAY-SUNDAY, MARCH 15-18, 2018 AT MARKET SQUARE:

WHAT:  Tejano Music Awards Fan Fair 2018: Four days of FREE live Tejano music on five stages

WHEN:  FREE ADMISSION; 12 Noon – 11:30 pm, ThursdaySunday, March 15-18, 2018

WHERE: Historic Market Square in downtown San Antonio, Texas

VISUALS: Live Performances, autograph sessions for fans and an estimated crowd of 95,000

CLICK HERE FOR SCHEDULE

KICK-OFF CEREMONY ON THURSDAY, MARCH 15:  Members of the working media are invited to a ribbon-cutting ceremony at noon in Market Square during which a City Councilman will present a proclamation from the City of San Antonio.  TTMA officials and Tejano artists will be available for interviews.

SAN ANTONIO, TX (03-12-2018) – Texas Talent Musicians Association (TTMA) presents the Tejano Music Awards Fan Fair 2018. Set for March 15-18, 2018. (ThursdaySunday). Thousands of Tejano Music Fans from across the country will travel to Historic Market Square in Downtown San Antonio for the Tejano Music event of the year.

The four-day event  runs from 12:00 noon to 11:00pm each night and will showcase over 200 bands from across the U.S. to include Arizona, California, Colorado, Michigan, New Mexico, Florida and of course Texas. The TMA Fan Fair draws over 95,000 die-hard fans each year and offers an up close and personal atmosphere with live music on five stages featuring emerging acts and top established performers as well as surprise guest performances.

There will be a variety of foods and beverages at this family oriented event as well as crafts booth selling t-shirts, caps various items and face painting for the kids. Fans will get exclusive access to their favorite artists participating in the special autograph sessions featuring, Ram Herrera, Andres Salgado, Miss Reina Latina San Antonio Sydney Gonzalez and Miss Reina Latina San Antonio Teen Giselle Gomez scheduled during the four days of TMA Fan Fair.

The Tejano Music Awards continues to shine each year by producing the largest Tejano Music events in the country. Scheduled to perform this year Michael Salgado, Jay Perez, Stefani Montiel, Los Palominos, Hometown Boys, Ricardo Castillon Y La Diferenzia, Isabel Marie, Ben Ozuna, Sunny Sauceda, Fama, DJ Kane, La Calma, David Farias, Eddie Gonzalez, Ricky Naranjo y Los Gamblers, Joe Bravo, Patsy Torres, Avizo, Conjunto Romo, Adalberto, Rio Jordan, Stephanie Lynn, Da Krazy Pimpz, Boni Mauricio, Bajo Zero, Los Garcias Brothers, Bad Boyz De Valle, Massore Erick y Su Grupo Massore, Carlos y Los Cachorros , Pio Trevino , Xelencia, Augustine Ramirez , Massore, Joe Posada, Angel Gonzalez y Vimana and many more.

CLICK HERE FOR SCHEDULE

San Antonio the “Tejano Music Capital of the World”, will host the 38th Annual Tejano Music Awards Show for Fall of 2018.

For the latest information on Tejano Music Awards Fan Fair 2018 and performance schedule please visit the official website  at www.tejanomusicawards.comSchedule is subject to change.

Tejano Music Awards Fan Fair 2018 Sponsors : Budweiser, Hermes, MetroPCS, 7up, Squirt, WellMed, RDS Marketing

Tejano Music Awards Fan Fair 2018 Media Sponsors : KEDA 99.9FM San Antonio, La Prensa San Antonio,

Magic 106.5 FM Lubbock, Q99FM San Angelo, Z93FM Laredo, Star 106.3 FM Abilene, La Pistolera 95.1 FM Rio Grande, Tejano 1600 AM Arizona, Bnet Radio, Tejano Nation

Texas Talent Musicians Association (TTMA) is a non-profit organization whose purpose is to promote professional excellence; a better understanding and greater appreciation for Tejano music; and to provide a public forum for songwriters, performs and musicians in order to recognize their artistic efforts and achievements through the annual Tejano Music Awards and related events. TTMA is based in San Antonio, Texas.

 

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38th Annual Festival Chicano Houston – Miller Outdoor Theatre

Houston’s best live music and cultural festival is back for it’s 38th year. Festival Chicano will be held October 5-6-7, 2017 at Miller Outdoor Theatre. Here’s your chance  to listen to the best music en La Onda Chicana, including Mazz, Jaime y Los Chamacos, Little Joe y La Familia, Shelly Lares, Street People, AB Quintanilla, La Fiebre, Sandy G Y Los Gavilanes, and Isabel Marie. Come join 5,000 or so of your closest friends each night.

Congrats and a big Gracias to Daniel Bustamante, the event founder and organizer for keeping nuestra cultura alive and at the forefront of the local music scene.

DC Reviews: Joe Posada ~ Zapatos En La Mano

joeposadaJoe Posada, San Antonio’s Jazz and Tejano saxmaster, returns with a full-length production, Zapatos En La Mano, under his own Baby Dude Records. Posada continues to showcase his songwriting skills in this 10-tune album recorded at V-Music with production and arrangements by Grammy winning Gilbert Velasquez.

Posada assembled some of the Alamo city’s best session musicians, including Chente Barrera-Drums; Henry Brun-Percussion; Juanito Castillo-Squeezebox; Chris Guerrero-Keys; Eddy Perez-Bajo Sexto and Bass; Andrew Bergman-Upright Bass; and Gilbert Velasquez-Guitars. Joe Posada, Jr. backs him up on Cafecito De Tus Ojos.

The lead-off single, Tres Opciones, is quite the tune with Posada’s sax and Castillo’s accordion playing off of each other. Joe effectively uses his vocal range to deliver this ranchera. Que Cosas Hizo Dios is a follow-up ranchera which delivers its message with some powerful phrases, like, “que chulada de mujer.” I must admit, I’ve been using that kind of lingo, lately. Odiame is a standard Joe Posada ranchera–sax-heavy and very danceable–with a message to a well-replaced ex.

Posada and Velasquez seem to enjoy chord progressions throughout the album, but they are really noticeable on Palabra De Hombre, a romantic ballad given extra power with some sax and guitar solos and fills. Daring to be different, Hermosura De Mujer gives listeners a bit of bossa nova which, along with Posada’s flute, proves his versatility. Posada throws in a sexy sax instrumental, Nunca Digas Nunca–great when in need of a romantic background.

Posada dares to be different, as always, and it is very noticeable with Zapatos En La Mano‘s jazzy opening toward a solid ranchera Tejana. The tune’s lyrics are written with a little barrio lingo, while proclaiming his rightful place with the subject, despite her late-night antics. Valga La Pena is bolstered by Velasquez’s guitar throughout the song, while the powerful lyrics tell it like it is:  “Si voy a perder el orgullo sera por alguien que valga la pena.” Cafecito De Tus Ojos can easily become ones favorite tune, with its boot-stomping melody, fun lyrics sung by Joe and Joe, Jr., and its bajo sexto and accordion combos.

One of my favorite tunes on the album is El Secreto, a sweet accordion-heavy bolero, with its beautiful lyrics, “Con todo mi respeto, le cuento mi secreto, que por toda eternidad, yo la voy a amar.”

Zapatos En La Mano offers up a much needed Tejano music fix that needs to become part of the daily playlist. Posada offers up some cool tunes that will have you singing in the car and humming them at inopportune times. That’s when you know it’s good music.

I was lucky to catch Joe Posada’s Trio at the River Walk’s 507 Lounge and they’re there every weekend. But I’d sure like to catch the full band playing a couple of hard-core Tejano sets, particularly some of these new tunes. Joe Posada is one of the most respected saxophonists in the music industry and the fact that he continues to grace us with some amazing Tejano music shows his commitment to keeping La Onda strong and relevant.

One may purchase Zapatos En La Mano at JoePosada.com.

 

Comedian Mike Robles Interviews David Lee Garza

I was spending some time on YouTube and found this gem of an interview. Comedian Mike Robles interviewed 2013 Latin Grammy winner and Tejano Music legend David Lee Garza. It’s a pretty good platica about DLG’s career, the future of Tejano music, and even a short instrumental by this accordion king. Enjoy!

Credit: Mike Robles TV

DC Reviews: Gary Hobbs ~ Live From New West

Still riding high after over 30 years on the road, Tejano crooner Gary Hobbs, offers his fans a live album recorded at Dallas’ New West Night Club.

Full of hits from the 90s heyday of Tejano music, these remain on his nightly playlist. Hobbs hasn’t lost that golden voice and always has good musicians to back him up.

ghobbsThe CD kicks off with recent hit, Por Ti, and includes some acordeon-heavy tunes, like Tres Rosas and Buscando Un Amor. Gary Hobbs loyalists will never forget Las Miradas, Amame y Besame, Maldito Amor, and Vas A Pagar. Hobbs adds three memorable cumbias with Te Vas A AcordarPor Favor Corazon and Chiquitita, Chiquitita, which have always been fan favorites.

Thrown in from the 80s was one of my personal favorites, Diferentes.

Hobbs has remained a tried and true Tejano music ambassador, always staying true to the genre and taking it across the country. No doubt he’ll keep fighting to keep Tejano music alive and kicking.

This is definitely a collector’s item for loyal Gary Hobbs fans. Personally, I’ve been a fan since the early 80s. I’m willing to admit that at one time, I owned the 45 rpm of Contigo Aprendi when the band was called Brando Mireles and the Hot Sauce Band featuring Gary Hobbs. But that’s for another blog post.

Get yours today! It’s even on iTunes!

 

 

Interesting Project for Jay Perez

Hector Saldaña of the San Antonio Express-News gives us a look into some upcoming projects for recent Latin Grammy nominee Jay Perez.

Thanks to a newly inked deal with Freddie Records in Corpus Christi, a career-spanning new album (“Back in the Day”) and anthology project are in the works as follow-ups to the Latin Grammy-nominated “New Horizons,” Perez’s first on the label.

“Back in the Day” is due in November.

With [producer Gilbert] Velasquez’s help, Perez not only re-recorded essential hits — from his early solo career, with Latin Breed and David Lee Garza y Los Musicales — but meticulously re-created them.

“The concept was to do something old school and fresh,” said Perez. “I wanted something for the fans, especially younger one that aren’t familiar with those groups.”

Since he didn’t own the original master tapes, he had no other choice for such a collection.

I must say that I’m excited. I’ve been a fan of Perez ever since a friend of mine loaned me a cassette of Latin Breed’s “Breakin’ the Rules” back in the late 80s. Soon after, Perez appeared on a Tejano Music Awards program fronting the legendary band and belting out some classics–and quite well, I might add.

Two albums with David Lee Garza y Los Musicales later, he had basically solidified himself as a premier Onda Tejana vocalist. And much like others had done after some success with “DLG,” went on to a solo career.

I had the opportunity to check out one of his early solo shows when he played at one of the barns behind the Freeman Coliseum in SA during their Rodeo. He blew the crowd away, even with gaudy pink lights backstage that spelled out “J A Y.”

Along with the new project is a “Behind The Music” kind of DVD.

The VH-1 “Behind the Music”-style DVD is nearly finished.

“For someone that’s a real fan, it’s great. Freddie’s got the right idea,” Velasquez added about the upcoming anthology.

As to why Perez deserves his Tejano nickname, “The Voice,” Velasquez didn’t mince words.

“It’s his ability to sing. He’s got that classic thing. He was able to combine the Tejano sound with the R&B sound with his voice,” he said.

And that’s why the rest of us are big fans of Jay’s.  It’s definitely the voice.

Again, check out the rest of the article for more on Perez and his musical stylings.

DC Reviewed Music Among Latin Grammy Nominees

I’ve been watching the announcements from various musical performers who have been nominated for a Latin Grammy this year and I finally checked the entire list.  It turns out that among the nominees are Tejano and Regional Mexican artists that DosCentavos reviewed. Congrats to the DC Reviewed nominees, including:

Best Mexican Regional Album 
Intocable – En Peligro de Extincion (DC Review)
 
Best Tejano Album
David Lee Garza – Just Friends (DC Review)
Los Texmaniacs –  Texas Towns and Tex-Mex Sounds  (DC Review)
Jay Perez – New Horizons (DC Review)
 
Best Regional Mexican Song
Jay Perez – Tu Ultima Cancion (Songwriter: Adalberto Gallegos)

And a special congrats to Adalberto Gallegos. On top of being one of the best vocalists in the industry, he can write some amazing songs, too. All that’s left to be said is…can I pick ’em or what?

adalberto

Tejano Music: The Onda Continues

I need to give a tip of the DC sombrero to Vicente Arenas at KHOU for a great report on the resurgence of the Tejano music genre.

The early style of Tejano was wildly popular in Houston  until the mid 90s.

It was during that time that Tejano went off the radio airwaves in Houston. Artists just couldn’t sell the music, all because of a lack of star power.

Selena’s death left a gaping hole in Tejano music and since then, things have never been the same.

Fans, though, are hardcore and refuse to let it go.

“The music—the musicians—we are still here. It’s the support mechanisms that are not there anymore, but things are changing now,” said Jesse “Jumpin Jess” Rodriguez, a Tejano expert.

The 90s were an awesome time for the genre, no doubt. Corporations like Capitol Records, Sony, and others had taken over La Onda, signing up some of the biggies like Little Joe y La Familia, Mazz, La Mafia, Emilio, Selena, Johnny Hernandez, Laura Canales, David Lee Garza, Ram Herrera, and other showbands. But they went further and gave other smaller-name bands a shot. With it came some new touring opportunities, cash, a lot of distribution, and some marketing that these groups had pretty much done on their own previous to this boon.

Some would argue, though, that perhaps there was a lot of saturation of the market, too. While the biggies had paid their dues, some of the younger bands perhaps were still working on perfecting their talents. Still, after the death of Selena, it seemed the market waned, then the Gringos and “non-Tejano” execs who had squeezed every profitable penny out of the industry declared it dead, thus, big radio stations like Houston’s KQQK went away or changed genres. The big money people weren’t giving Tejano music a shot anymore because it wasn’t profitable for them. The musicians still had a talent to show off, and they still had to make a living. For the fans, the thirst was still there–for the music, for the culture. And as Jumpin’ Jess states, none of these bands left, the tours continued, though, with their own management. The big record companies kept a few big names, but their heart wasn’t in the marketing anymore. Even supergroups like Intocable went indie and managed themselves.

Nowadays, you see the big names like David Lee Garza and Joe Posada running their own independent recording companies. The tried and true Freddie Records, owned by the legendary Freddie Martinez, is still around, too, and with a stellar line-up of bands. No, the music and the culture never died. It’s the cash infusion and big media marketing that died out. I guess that’s what happens when you allow big money interests to basically buy your culture without some stipulation that it preserve it somehow.

Yes, I remember that 90s heyday. I remember well when El Grupo Mazz recorded their live album before 9,000 fans at San Antonio’s Rosedale Park–I was there! But I also remember this past Spring and the 6,000 fans at the Humble Civic Arena. And hell, I also remember the sell-out crowds at Miller Outdoor Theater every year for Festival Chicano. Yes, you still have those small nightclub crowds, and some bands still run risks between charging a percentage of the door or a set fee. But the touring continues. All one has to do is search them on Facebook, how in touch they are with their fans, to know that, while they are trying to make a living, they are still in it for the music and the culture. And to hell with the big money interests! These bands and the fans are owning their music.

No, the genre is not dead. Technological advances in recording, the ability to self-distribute and upload music to iTunes, and a strong surge in online Tejano stations help, too. And Arenas’ report about a home appraiser who wants to make sure the next generation keeps the music and culture going by running a school for Tejano music is just one story of many that is occurring at the moment. Thanks to the Texas Folklife Resources, we have the Big Squeeze Competition for squeezebox playing kids to compete for cash and recording contracts. Thanks to Juan Tejeda and the Tejano-Conjunto Festival in San Antonio, there is an outlet for this music for all ages.

No doubt, there will always be profiteers. If it happens on Wall Street, it will happen in ballrooms and nightclubs, too. But La Onda is very much alive, and given all of these advances, quite savvy, too. Will it be another 90s heyday? Who cares? It is our music, and as long as we retain ownership of our culture, it will continue to live and prosper.

DC Reviews: David Lee Garza Presents… ~ Just Friends

DavidLeeGarza.JustFriendsRecently, David Lee Garza added a new vocalist to what is now called DLG U–the “university” which has given the Tejano music industry some of the best vocalists in all of Latin music. Juaquin Cura is a young gun that is already hitting it out of the park in live performances. DLG has put him on his new CD, Just Friends, but he has also invited an all-star line-up to show-off their chops al estilo de DLG and Los Musicales–all rancheras that will keep one on the dance floor.

I must admit, I had to re-play the first track a few times before listening to the rest of the production. Adalberto Gallegos leads off with the Fabulosos Cuatro classic, No Me Trates Asi, and his distinctive vocals just made me click “replay” several times. The musical styling is puro Musicales and sets the foundation for the rest of the production.

The iron-throated Jessy Serrata is up next with Amorcito del Alma, while Joe Posada hits a home-run with Eres Todo Mi Ser, which also includes a smooth solo from the saxmaster. El Hermano Farias–David Farias–gives us the tried and true, Ya Pa’ Que, which I hadn’t heard since Carlos Guzman recorded it in ’82. The next student of DLG U, Joaquin Cura, also gives it a go with Ella Sabe, with Los Musicales’ signature sound. Cura has a lot of potential to be “the” new voice in the industry.

Recently, producer Bob Gallarza discovered a new vocalist who gained a lot of radio play with an old classic, Amorcito Corazon. On the DLG CD, Gabriel Olvera pumps out another standard, Mi Cariñito. If you’re a Pedro Infante fan, then you’ll enjoy this one. La Voz de Oro, David Marez, also gets a turn with Me Bastas, which matches his style more than DLG’s, but the acordeon and the faint bajo sexto in the background keeps the track smooth and danceable.

DLG has a bit of a reunion with one of his graduates, Marcos Orozco. Orozco belts out Soy Del Amor Un Sonador. And El Borrado de Eagle Pass, Gary Hobbs, shows some first class crooning with the classic, La Barca. And if all of these vocalists weren’t enough, the world-famous Jon Ramirez (in the morning) from KXTN in San Antonio debuts on The Radio Guy. I was quite impressed with his vocals on this ranchera, actually, and it looks like he has some intro music for his radio show. Eddie Perez’s Tu Tienes La Culpa is a good addition to the CD–a little different from his West Side Horns music, but definitely a great delivery.

Of course, DLG cannot go wrong by adding an acordeon polka instrumental, Tony’s Favorites, which showcases his musicians, not to mention his acordeon.

There is no doubt that this is quite the collection of music with some of the best Tejano crooners in the business. And there’s no doubt DLG will be asked, “why not this guy, or this female vocalist?” So, let’s push him for a volume 2. For now, I’m back to over-playing this production during my drives around town, especially Track #1.

Get your copy today!

 

 

 

 

 

DCs Top Posts of 2012

Music Reviews – Top 3

The Mavericks – Suited Up and Ready

Los Texmaniacs – Texas Towns and Tex-Mex Sounds

Johnny Hernandez – Gracias…Por Los Exitos!

Political Posts – Top 10

Did Ann Just Lose The Other 30% of Latinos? (Romney Mouth)

Dude, This Election Makes No Sense (Post-Primary)

Tacos and Votes – To Protect the Vote (Latino Vote)

Endorsement:  Vote FOR the City of Houston Bonds

RIP – Texas Senator Mario V. Gallegos

Helena is Doing What and With Whom? (City Council)

Tacos and Votes ~ All About Engaging the Community

Fort Bend Dems Open HQ

Finally, Let’s Move Toward November (Post-Primary)

Dos Centavos Endorses in Dem Primary (Post Primary)

Top 3 Posts w/ Staying Power (Pre-2012)

Celebrating 40 Years of La Raza Unida Party (by Carlos Munoz)

DC Reviews ~ Intocable – 2011

2010 Profiles ~ Kathy Cheng for the 209th Court

Top 5 Cultura and Community Posts

Tejano Music Awards Fanfare is Coming

FIEL Announces Deferred Action Assistance Program

RIP – Shaun Chapa

Houston – 33rd Annual Festival Chicano

RIP – Mike Kelley