Tag Archives: tex-mex conjunto

Los Texmaniacs, Rick Treviño Give History and Culture Lessons at Heights Theater

The Heights Theater was booming on Friday night with the sounds of the Grammy-winning Los Texmaniacs, along with Rick Treviño and Ringo Garza (Los Lonely Boys). Fans were taken on a trip through Chicano history and culture during the two-hour concert.

Los Texmaniacs started their set with a huapango, then immediately went into their signature rancheras, Ganas Quisiera Tener and Soy de San Luis. As they always do, they gave a quick history lesson about the origins of Tex-Mex conjunto music, then they belted out a favorite, Cancion Mixteca. With fat bass lines from Noel Hernandez, hard-driving drumming from Daniel Martinez, the sweet bellowing squeezbox of Josh Baca, and Max Baca’s dexterous bajo sexto, the joint was jumping.

Rick Treviño joined them, along with his own keyboardist Milton Walters, to belt out some of his own hits, including Is Anybody Goin’ To San Antone and Better in Texas. A fan favorite was Rick and Los Texmaniacs’ Grammy-nominated I Am A Mexican. The Treviño-penned tune is about an immigrant’s struggle between being an asset to, and a target of, his adopted country. Treviño, and Walters as accompanist, then added his first song as an independent musician, Cowboys Like Me, as well as one of his first hits, Learning As You Go. He ended his solo set with She Can’t Say I Didn’t Cry with him on the piano.

Los Texmaniacs came back out with Treviño to give us a treat, Wasted Days and Wasted Nights, a tribute to Freddy Fender. Max Baca then recognized Treviño as the next big Chicano country singer after Johnny Rodriguez and Freddy. Then, the crowd was treated to a rousing rendition of Volver, Volver, which turned into a sing-a-long.

But the treats weren’t over. Los Texmaniacs brought out Los Lonely Boys drummer, Ringo Garza, to play a few tunes, including a ranchera. I’d only heard Ringo play Texican Rock, but him on a ranchera really was a treat. They brought out Ringo’s son, Ringo, Jr., who at age 13 is already an accomplished guitarist, to give the crowd some blues and rock guitaristics. Whatever “IT” is, that kid’s got it.

Los Texmaniacs ended their set with the anthemic Mexico Americano, but were brought out for an encore, which included the funky, yet educational, closer Down in the Barrio.

The near-capacity crowd loved every minute of the concert and responded well to the band. For the band, it was obvious that they enjoyed giving of their art. Touring on the Grammy-nominated Cruzando Borders (Smithsonian Folkways Recordings) and their indy-labeled Americano Groove, Los Texmaniacs have a lot of music on which to build their set lists. They picked the right tunes last night.

DC Reviews ~ Los Texmaniacs – Americano Groove

grooveGrammy Award winners, Los Texmaniacs, are back with a new studio album–Americano Groove. The new album is bold, offering a variety of music:  Tex-Mex, cumbia, country, funky Latin rhythms, and other familiar stylings in music.  Throw in a star-studded group of guests like Alejandro Escovedo, Kevin Fowler, Joe Ely, Rick Treviño, and Los Lobos’ David Hidalgo and you have the makings of a collector’s item. It truly is an Americano Groove.

Down in the Barrio kicks off the album; a tune filled with social commentary about barrio realities and solutions. Escovedo joins in on this one while the band provides a solid rhythm. Ya No Te Quiero Ver is a sped-up polka
“tell-off” tune that allows Josh Baca to flex his acordeón abilities and Max Baca isn’t too far behind with a bajo sexto solo. How Can a Beautiful Woman Be So Ugly has that Tornado-esque feel created by Augie Meyers’ organ while telling us the story of a heartbreaking woman. How Long Is Patient is a Baca-delivered ballad, with help from Tania Marie, centered around the strumming of a bajo sexto and an electric guitar–a pretty awesome combo.

Country star Kevin Fowler joins the production on Adios Mamacita–a fun Tex-Mex rockabilly tune about a crazy, yet fun, woman. Known for their power polkas, Max and his nephew Josh Baca on acordeon take us back to when polkitas were played with a bajo sexto and acordeon around a camp fire with Muchachos Alegres. Then, the legendary Joe Ely joins in on I Wanna Known Your Name, in another Tex-Mex rocker of a song.

Herido, a haunting ballad about love ending, is aptly delivered by drummer/guitarronista Lorenzo Martinez. Como Te Quiero is a ranchera that has gained popularity at live gigs and was showcased at the 40th Anniversary concert of A Prairie Home Companion. With the traditional conjunto sound with slide guitar thrown in, this tune will definitely be a favorite.

Rick Treviño proves he’s still got it with the country tune Big Night in a Small Town. Los Texmaniacs add in what can be called a cumbita raza, Mentirosa, with its barrio slang, and Lobos-esque style and harmonies; not to mention a searing guitar solo by David Hidalgo. And the album ends strong with Polka Palitos, again, done in the traditional bajo/acordeon style of the old days with a strong full conjunto ending.

The album was produced by Los Lobos’ Steve Berlin, a legend himself. There’s an obvious tell of his involvement with how easily various non-conjunto instruments are mixed in. More than the obvious risk-taking in doing a different kind of Tex-Mex album is the feeling of how fun it may have been to record this project. To have been a fly in the wall of that studio.

Anyway, look for the album online. Since I really wanted the liner notes to this one, I found it at Wal-Mart this morning. Get your copy today!