Tag Archives: the mavericks

La Semana Pasada – The Week That Was

Well, I had a blog slowdown this week for various reasons, but that doesn’t mean I wasn’t paying attention to the latest attacks on democracy, public education, and humanity, in general. But also some good stuff.

The Possibly Inevitable HISD Takeover

Mayor Sylvester Turner announced at a council meeting that Greg Abbott and his minions were about to take over Houston ISD, as has been promised by them for a few years. Greg Abbott has never been a friend to democracy, nor to communities of color, so that this is about to happen (maybe) isn’t a surprise. If taken over by Abbott, the local school board would be replaced by unelected Abbott supporters whom the people have not vetted, and the reins given to some other executive not chosen by those we elected. Whether it does or doesn’t happen, the stress it has put into the families and taxpayers of the district is palpable.

Abbott and his minons blame poor performance at one school, which has since improved. The school district continues to improve, too. Also blamed is past relationship problems on the school board. Since then, voters have replaced school members through election. The political and administrative face of HISD has changed since Abbott and his minions began to whine about Houston ISD. We even lost a couple of good school board members in the process and gained some right-wingers who do the bidding for Abbott’s agenda. Will Abbott sacrifice their political careers to make his point?

The question is: Will it happen? Do Abbott and his minions want the blame for what is to come when they turn HISD into the crown jewel of the Texas prison system? Or at least run it in the same fashion? Since my rent pays for HISD taxes, I’m really concerned, now.

I Support Food Not Bombs

I’ve really had it with HPD and City Hall’s BS against people who are simply doing the right thing–feeding those who are hungry. This last Wednesday, HPD cited a volunteer of a group, Food Not Bombs, for holding what they consider an unauthorized feeding of people in need outside of the downtown library. The Mayor wants to make the library “family friendly,” by banning human beings who are houseless. A local law prohibits these kinds of activities in downtown, but they hadn’t cited anyone. After over a decade, the Mayor has decided to crack down on these good people.

The City offered an alternative location at HPDs parking lot, which is just outside of downtown. Seriously? We already have Greg Abbott wanting to turn HISD into a state-run prison, now the city wants to treat the homeless and hungry in a similar manner.

Thankfully, local civil rights lawyer Randy Kallinen is on the job defending against what is an unconstitutional and inhumane ordinance. But the City needs to stop this nonsense.

Dem Chair Candidates Making the Rounds

It’s good to see that Dem Chair candidates are going around campaigning, and not just to precinct chairs. On March 19, the County Executive Committee, made up of precinct chairs, will meet by Zoom to vote in a new leader for the Harris County Democratic Party. According to the Dem Party website, there are three announced candidates, including my friend, Silvia Mintz.

The link also provides the process by which a person will be elected: Nominees must be nominated from the floor by a precinct chair during the meeting. And 50% of the precinct chairs must be present for an election to happen. While the meeting will be conducted on Zoom, those precinct chairs without technology will be able to attend at HCDP’s HQ. And those interested in running can fill out an application on the HCDP website so that they may inform precinct chairs of their choices.

Of course, one wonders if floor nominations of those not providing information beforehand will be allowed. One never knows if surprises will be allowed.

For those who are not precinct chairs, this is a democracy and we should be able to contact our precinct chairs to suggest a nominee and why. That said, the vast majority of Democrats may not know who their precinct chair is. So, I filled out this form on the HCDP site requesting that information so that I can tell my precinct chair my preference. But this should be easier.

The Mavericks “In Time” Celebrates a Decade

If you’re a fan of The Mavericks, you will remember this amazing comeback album from this Americana band. If you’re a superfan, then this album is on your Mavericks Spotify playlist and on heavy rotation, still, after ten years. Well, they have released a 10th anniversary album of “In Time,” which includes a three added tunes, including a different version of Ven Hacia Mi (Come Unto Me). It’s got more Cubano and Conjunto flavorings, and it’s little bit more swingier than the originals. Give it a listen and enjoy!

Tacho’s Playlist Saturday

It’s time for another edition of Tacho’s Playlist Saturday where I highlight some of the newest stuff that has appeared on my radar recently. The music can be Tejano, Onda Chicana, Norteno, Americana, or just about anything that I happen to like. So, here is what I like this week:

Demmi Garcia – Con Tu Amor (f/ David Lee Garza)- Demmi Garcia is an accomplished young vocalist who is showing up on various radars. This ranchera is danceable, no doubt, but her vocals are impressive. That shouldn’t be too surprising because of her family music background, as well as achieving a good foundation with her studies at Berklee College of Music. Anyway, watch out for this sensation, who also appeared on Avizo’s newest album with Aventura De Mi Vida. So, you get a two-fer from Demmi.

David Farias – Por Que Quiero Enamorarme De Ti – The legendary David Farias, founding member of Los Hermanos Farias and Tropa F, continues earning airplay from his first solo album with Freddie Records. He dropped this new cumbia a few weeks ago with its Farias legacy sound, yet in tune to today’s music needs.

The Mavericks – Por Ti – One of my fave groups released a bonus track for their En Espanol album, which has gained much cross-cultural attention. The Mavs are also touring on this latest album released at the start of the pandemic. A little back story: The original English version titled For You was released on one of Malo’s solo albums before The Mavericks reunited in 2012. I love this version, though, with the powerful horn section and the squeezebox magic of Michael Guerra.

DC Reviews: The Mavericks – En Español

For tried and true fans of The Mavericks, En Español has been a long-awaited work. Since their founding, The Mavericks have offered up some Spanish tunes belted out by their leader, Raul Malo, at their performances. More than a few times, fans have asked them when a Spanish-language album would be released. Well, it’s here and it doesn’t disappoint.

Their live playlist is so diverse that they are considered multi-genre (and Americana) with performances sprinkled with country, tex-mex, cuban, rock, jazz, and other rhythms, which says a lot about their collective musicianship. Whether it’s the dueling guitars of Malo and LA-born guitarist Eddie Perez, the tickled ivories of Jerry Dale McFadden, or the diverse drumming of Paul Deakin, or their sidemen, they can play anything–sometimes, at a moment’s notice.

En Español is an eclectic mix of Latin rhythms and American sounds that only The Mavericks could put together in an honest and sincere fashion. Songs of love and heartbreak abound on this collection, as well as Cuban folk and classic ones from another time.

Classic songs, such as La Sitiera, Sombras, Mujer, and Sabor A Mi are already well-known at their concerts and previous Raul Malo solo works. Yet, they’re given a new and bold flavor that fills ones ears and hearts.

The first single, Poder Vivir, a ska-ish-tinged song backed by the sweet accordion sound of Michael Guerra, has already been making the rounds on radio and various other platforms. In fact, it’s already reached the top of some Tejano music charts, which shows their ability to penetrate markets beyond their usual audience. Recuerdos features that signature Mavericks sound that has fans swaying at their concerts.

Another favorite tune is the danceable (for us Tex-Mex folk)  Julia Iglesias tune, Me Olvide de Vivir, along with the mariachiesque No Vale La Pena, made famous by Juan Gabriel and given quite the squeezebox assist by the legendary Flaco Jimenez and the trumpets of Julio Diaz and Lorenzo Molina. Another cover is a Spanish-version of Englebert Humperdink’s Man Without Love, Cuando Me Enamoro.

But it’s the haunting and heart-wrenching Pensando En Ti, backed by the requinto and the accordion, that will have one thinking about love lost and searching for a drink. Finally, they offer up some Cuban folk music with the Celia Cruz tune, Pinar del Rio, in case you haven’t danced enough.

NPR has a great article on some Mavericks history and the process of making this album, as does TejanoNation. My FB friend Hector Saldaña at the Express-News delves into it, too.

En Español is available on all platforms, but, since bands aren’t touring, drop them a few bucks and buy the album and their merch at their website.

Also, The Mavericks will be performing a live, pay-per-view concert at Nugs.tv on Saturday, August 22, featuring the new material from En Español. As I’ve always said, any Mavs performance is an experience, even from the comfort of your own couch.

DC Reviews ~ The Mavericks, Lonely Boys

I had never been to Whitewater on the Horseshoe Amphitheater located outside of New Braunfels. The park-like setting within huge trees and right by where the river forms a horseshoe was perfect for what seemed like a Catholic church jamaica (or bazaar for Houston folk) on steroids.

A few thousand of my closest friends braved 90 degree heat standing in line and awaiting the start of the concert only to catch the arrival of a “cool” blast that lowered temps to the mid-60s, while gusts made the night quite chilly. It was quite welcome by the fans and especially the bands.

mavswwThe Mavericks headlined in explosive fashion, opening with their latest single Brand New Day, from their newest album of the same title. Playing hits from BND consecutively, the band was tight and on time on Easy As It Seems and Damned (If You Do) which revved up the crowd. Vocalist Raul Malo led the ba nd back to their previous album with Back In Your Arms Again and other hits.

Hit after hit, The Mavs took us through a career-long repertoire in only two hours, including Dance The Night Away, What A Crying Shame, among others. Raul Malo even took the role of pianist while he offered up a velvety Goodnight Waltz and a rockin’ Ride With Me, both tunes where we hear the best from the entire band. A welcome tune (for me) was one of Malo’s solo hits, Lucky One.

And, oh, The Mavericks band. Eddie and his guitaristics, Michael Guerra and his impeccable accordionistics, JD and his groovy keyboard riffs, Abrams and Diaz with their solid horns, the powerful drumming of Paul Deakin, and the bass lines of Ed Friedland are what keep The Mavericks at the top of their game. There have been plenty of varying line-ups of The Mavs and their Fantastic Four, but this one has to be among the best.

After what seemed to be the closing with As Long As There’s Loving Tonight at midnight, Malo returned with his Fender and gave us, in honor of Willie Nelson’s 84th birthday, Crazy. He continued with a favorite that his Cuban abuelo would sing, La Sitiera, with a powerful ending provided by the rest of the band. Then came the song we love, but don’t want to hear because it usually signifies the show’s ending:  All You Ever Do Is Bring Me Down. The Mavericks blew us away throughout the night.

After four hours and three bands and a terrible electrical storm that could be seen in the distance, the fans had had their fill, if not enough. The Mavericks showed a lot of love for their fans and the fans, as always, returned it.

lboysLos Lonely Boys performed prior to The Mavs and the three-man band was just as powerful as they’ve ever been. They took us through some of the best tunes from their latest album, Revelation. Give A Little More, Blame It On Love, and So Sensual were among the new tunes. They took us back to their debut album with Velvet Sky and Crazy Dream. Several solos and some Texican Blues later, they brought out Henry’s son on guitar to help with their gigantic hit, Heaven, which then became a family affair as JoJo and Ringo also brought out their families to sing along with the crowd.

The night’s opener didn’t fall behind in their musical abilities, as The Last Bandoleros gave us a short show filled with tunes from their EP, including I Don’t Want To Know and Where Do You Go. The band, which includes Emilio Navaira’s eldest sons (Diego and Emilio IV) rocked out and gave the overheated crowd some satisfaction before the cold winds arrived. Already having appeared on national TV and serving as show openers for Sting’s latest tour, The Last Bandoleros, including Derek James, Jerry Fuentes, and bad-ass accordionist Percy Cardona, are already going places.

Kudos to the folks at Whitewater for providing a great venue and some amazing sound.

 

DC Reviews: The Mavericks ~ Brand New Day

It is indeed a brand new day when The Mavericks release new music. The run-up to the release of Brand New Day included the release a few tunes to appease the fan-base, while ensuring that they didn’t give away the store as to what was to come.

Brand New Day is exactly what fans (old and new) ordered, as The Mavericks created a 10-track production that speaks to different feelings and different situations. Described as genre-bending, the band achieves such distinction on this album, while staying true to the Rockabily-Latin-Country-Americana sound that has solidified them as one of the most popular live acts in the country.

Raul Malo is ever the voice-master on every track, providing a strong voice that can go from tenor to baritone without much effort. Such is evident on the show-starter, Rolling Along, a tune about tough lives being cured by something medicinal. “What’s gonna happen is still gonna happen the one thing that you can count on, don’t fix what ain’t broken while Willie’s still smokin’, we’ll just keep rolling along.” The acordeon, banjo and fiddle make this countrified rancherita one that can easily be sung to around a campfire.

Brand New Day, which has already been getting played on various online services, is quite the love song. Just what is being loved is left up to you. A significant other or a country to which you emigrated or were born in that is in distress (because of some cheeto-lookin’ character, maybe?), the powerful lyrics make it known that whatever it is, it is worth fighting for it. “It’s more than a game I don’t want to lose, there’ll never be another like you.” Powerful.

Following is Easy As It Seems, a rockin’ tune  which has a similar feeling to the title track. With it’s descriptive lyrics, such as, “Take a look around you, it’s easy not to see, building walls between us doesn’t fix a thing, ignorance is blinding, they tell you that it’s bliss, they’ve been saying that for ages so will you answer this:  Do you want to get mean? Do you want to get cruel? Do you think it’s wise to be made the fool?”

What is currently my favorite tune is I Think of You. It has the all the ingredients–amazing musical elements (organ, acordeon, guitar, horns) and Raul Malo’s impeccable vocals. “I see your face lying beside me, and then the trace of  your kiss on my lips always reminds me:  Walks on the blvd, two lovers arm in arm lost in each others’ charms I think of you.” Max Abrams sax-abilities are, as always, noticeable throughout. But as the song heads toward the finish, it is Malo’s uplifting vocal that just brings it home.

Goodnight Waltz brings musical memories of historic waltzes of the past, while offering an uplifting feeling of the kind of love that is to come. The background vocalists sweeten the delivery, along with a beautiful sax solo.

The Latin-tinged rock tune, Damned (If You Do) basically describes life, and even love. “Your heart tells you yes, your mind tells you no, you can’t seem to find, which way you want to go, the moment before you let yourself go, you’ll laugh just to think you’ll do it even though…you’re damned if you do, and damned if you don’t.”

I Will Be Yours is an Elvis-esque romantic tango with a horn-heavy background that will keep folks swaying. “If you surrender to love so tender, until forever, I will be yours.” Fortunately, it takes a Malo-type to deliver it.  The mariachi-esque trumpets really give the tune the Latinoness it needed to make it quite special. Ride With Me is a bluesy traveling tune that takes you cross-country, while Malo once again proves his chops are unmatched.

The story behind I Wish You Well is one that grabbed me having lost a loved one recently. Written by Malo for his father as he was drifting to his end, the song describes the only thing a son who has done everything for his father can say: “Now you lie before me like a star that fell, oh, I wish you well.” Yes, it’s a tear-jerker, especially if you have, or are about to, lose someone.

The Mavericks picked quite an anthemic end to the album with the country-heavy tune, For The Ages. An ode to long-lasting love, the tune is given some power with some choir-heavy background vocals.

The Mavericks brought out the usual elements to record these tunes live in the Studio, with the help of producer Niko Bolas. They added other instruments to sweeten the music and even give it that extra power to keep the listener wanting more. What is even more evident is the freedom to be creative which comes with releasing an album on their own Mono Mundo Recordings. Although their comeback albums also had that feeling, Brand New Day seems more relaxed and has a fun-filled groove to it.

The Mavericks are:  Raul Malo, Paul Deakin, Jerry Dale McFadden, and Eddie Perez, along with the Fantastic Four, which include acordeonista Michael Guerra, and saxmaster Max Abrams.

Add it to your collection and do attend one or two of their shows. I’ll be in New Braunfels for the April 29 show (which includes Los Lonely Boys and The Last Bandoleros), and The Mavericks will be in Houston in early June at HOB Houston.

 

 

 

DC Reviews – The Mavericks ~ All Night Live Vol. 1

mavsIt’s like your own personal concert in your Honda Civic.

At least, that was my reaction when I first played the full download of The Mavericks’ first project on their label, Mono Mundo Recordings. All Night Live Volume 1 takes you through a short (compared to their 2.5 hour concerts) journey of hits, some new, some from a 25+ year career that continues to attract fans of all ages.

If you’ve never been to a Mavs’ concert, this album could be a good intro to that kind of experience. The Mavericks add their own live flavor to fan favorites. Although they usually record their albums live in the studio, it’s the live shows where they add a little improv, guitaristics, pumped up squeezebox, bass, piano, and horns. And Paul Deakin’s live drumming is perfect. All of the sounds on the stage come through clearly and impeccably.

Recent single, All Night Long, opens the album with powerful horns and Raul Malo’s vocals which most describe to be “like buttah.” The first 10 of 16 tracks are from their recent works, Mono and In Time. The last third is peppered with classic Malo solo hits, like Every Little Thing About You and I Said I Love You. An eclectic live version of Neil Young’s Harvest Moon is an excellent addition. And the show-closers are my personal favorites, Come Unto Me and Waiting For The World To End. The latter with a sped-up ending that knocks your boots off.

All in all, a great first album on their brand new label. Unlike other live albums by other bands, this one is all music, no between-song banter, and definitely no sing-alongs. My kind of live album.

A new studio production is in the works for Spring 2017.

 

DC Reviews: The Mavericks ~ Mono

monoThe Mavericks are back with their supposedly sophomore album, Mono. Why, supposedly? Well, for a band that’s been around for 25 years, they’re hardly new in this game; if anything, their return to the scene in 2012 and with the release of In Time, they basically took off from where they left off. And Mono shows just how much more creative they can get, and with the full support of their record company, The Valory Music Co.

Why Mono? Some of my fellow Mavericks fans who are non-Latino were running the online translators trying to find out what their tour title meant, Mono Mundo. The vast majority asked, “Monkey World?” Well, Mono isn’t Spanish; if anything, it’s short for monaural; or, monophonic. In other words, not in stereo, or sound reproduced through a single (one) channel. The sound is simpler, more basic, but the music is all Mavericks. It’s a risk few are willing to take, which makes this album much more exciting.

Most impressive is that The Mavericks recorded this album in a week, recorded live, and with few overdubs to sweeten the sound. Still, the various instruments that make up the Mavericks sound are captured beautifully. From the get-g0, the bilingual Latin-tinged All Night Long soars, along with Raul Malo’s vocals. And speaking of voices, the R&B tune, What Am I Supposed To Do, with its beautiful harmonies, has become a fan favorite as the Mavs tested out several of these songs at the end of 2014.

A personal favorite of mine is (Waiting) For the World to End because the lyrics are fantastic. The clash of horns and instruments, though, make it one of the more powerful tunes on the album. As Raul Malo is quite the balladeer, Fascinate Me, gives him quite the workout as he reaches for uncharacteristic highs that few can achieve. The piano and acordeón accompaniment and horns come together awesomely.

The Mavericks, as always, go in different directions while staying true to their sound. Let It Rain is a folksy tune with Michael Guerra’s acordeon clearly audible. The blues tune, The Only Question Is, gives Malo another workout that is very appreciated. The rockin’ Stories We Could Tell and What You Do To Me will keep fans dancing in front of the stage.

As a bonus track, they give us Nitty Gritty, made popular by Doug Sahm.

12 tracks–all awesome. Get yours today! As always is the case with The Mavericks, you get de todo un poco (a little bit of everything). 

The Mavericks are about to embark on their Mono Mundo Tour (that’s One World), taking them across the US and Europe. They hit Houston on April 16, and I’m hoping they give us another 2 hours and 45 minutes of awesome.

 

 

DC Review – The Mavericks at House of Blues

Well I sure did enjoy another energetic, well-performed concert by The Mavericks at House of Blues-Houston. Opening with early hit, Tell Me Why, tossing in hits from throughout their 25-year career, adding some hits from their latest, “In Time,” and as we say in South Texas, adding a few other non-Mavs oldies “de pilon,” The Mavericks once again proved why they are one of the most versatile bands out there.

DSC01230

Raul Malo fronts The Mavericks at HOB

Song after song had a crowd of over 1,500 loyalists dancing, singing along, and shouting their support. And as good as the band is, the crowd seems to energize the band as much as the band energizes the crowd. When it comes to The Mavericks, it really is a people’s band. And that was perhaps the best experience of the evening–the Mavericks fans.

I arrived early and stepped into the HOB restaurant for a beer. The crowd there was mostly loyalists, and a couple of ladies sat with me at my table while I waited to close my tab. Right off the bat, one of the ladies goes into her Mavericks story and how she’d only been a fan for a year or so, but that “In Time” had really helped her through some rough times in her life. Music does soothe the soul, and Mavericks music is probably best for it.

Later on, when I was finally inside the venue, another fan who came in from LaFayette, LA and brought his friends from The Woodlands gave me his Mavericks story. He had been a fan for years and just felt they were the best band in existence, given front man Raul Malo’s unequaled vocals. He had seen them in LaFayette, came to Houston, and looked forward to seeing them at the New Orleans Jazz Festival later this Spring.

Of course, there’s my local friend Jesse who brought his two kids to their first Mavericks concert. From his reports on Facebook, they loved it. I hear they are also big fans of Mavericks squeezebox specialist Michael Guerra. But it just goes to show that the Mavericks attract all ages and backgrounds.

Another friend, Javier and his wife came to enjoy the concert, not realizing the straight 2 1/2 hour concert would have so much music. Javier, though, did recall seeing the Mavs 20 years ago at Billy Bob’s Texas during his TCU days.

And on the way to the elevator after the show, there was a gentleman in a wheelchair just enamored with the band. He had gotten his first glimpse and listen of the Mavericks from their recent PBS special. He was filled with excitement after the show. I expect he’ll be at more concerts in the future.

So, I could go into a long, drawn-out review trying to remember as much of the set-list as possible. (They did play a lot of music!) Eddie is still is the best guitarist out there. Paul still drums like a beast. McFadden still tickles them ivories oh so well. The horn section which includes Max Abrams on the sax still wails. Michael Guerra is still a squeezebox master. Robert is still the funny guy and strummer. Filling that bass line quite well is Jay Weaver. And Raul Malo still mesmerizes the crowd with some amazing vocals.

That said, a good mix of the new and old is what folks in Austin, Fort Worth, Helotes and the rest of the cities in the tour should expect. Go check ’em out! And if you haven’t purchased “In Time,” get it!

 

DC Reviews ~ The Mavericks – In Time

Those who follow me on Facebook know I have The Mavericks on heavy rotation with my YouTube reposts, so, it is known that the anticipation of the arrival of The Mavericks’ In Time was wearing me out. A quick trip to Target at 9AM this morning and there it was! Already on replay #5, I can honestly say that I don’t foresee any future boredom–it is that good!

Back in July, I reviewed their extended play CD, so we know how good that one was and the five tracks from the EP are included on In Time, but the nine newer tracks are just as amazing. Kudos to Valory Music Company for supporting The Mavericks–good choice!

One track that has been the band’s 2nd song at concerts lately is the rockabilly-tinged Lies, which with some excellent guitars and a strong, soaring beat, will be a favorite. Lead vocalist Raul Malo wastes no time in showing off his range in the ballad In Another’s Arms. It’s haunting drum beats and piano are complimented by a break that highlights a beautiful string arrangement. Fall Apart is a fun and danceable break-up song, if you can believe that. The soaring chorus, horn section, and acordeon solo from San Antonio’s Michael Guerra will keep you humming–even after the first five listens.

All Over Again offers a recognizable Mavericks rhythm, but now with a very noticeable acordeon. There’s no doubt, as the LA Times keeps pointing out, that the Cuban crooner and the band cross genres and even add a dash of Tex-Mex. Malo belts out the ballad, Please Heart Forgive Me, in fine fashion, but As Long As There’s Loving Tonight and Dance In The Moonlight will rev you right back up.

And as the LA Times points out, the 8-minute epic that is (Call Me) When You Get to Heaven is powerful and displays all of the musicians talents, but it is the background vocals of the McCrary Sisters which adds a level of gospel to the tune that is much appreciated. As the tune ends, and even though it is lengthy, you still want more.

One of the tunes off of the EP is re-done in Español, Ven Hacia Mi (Come Unto Me). The tune just reminds me of how Malo pokes fun at some of the folks who are mesmerized by his Spanish-language songs. “I don’t know what he’s saying, but it sounds so romantic.” Thankfully, this tune delivers the right message.

The reunion was a long time in coming, but In Time is definitely a celebration of 20 years of flawless music.  One test of recorded material is a bands ability to reproduce it live. I’ve seen Raul, Eddie, Paul, Roberto, Jerry Dale, Michael, Elio and the various horn players perform some of these tunes live and they definitely deliver just as good live than in the studio. Now it’s your turn to deliver for them and purchase this CD!

DC Review: The Mavericks at Gruene Hall

I took some time out of my schedule to check out The Mavericks at Gruene Hall on Friday night. On a U.S. tour that has cemented their return to the music scene after years apart, Raul Malo and The Mavericks are back and stronger than ever.

The Mavericks have enjoyed their  return, playing some major country music festivals around the country. At Gruene Hall, though, they enjoyed a small, more intimate and somewhat eclectic crowd of Raul Malo and Mavericks loyalists. And The Mavericks responded with a powerful show.

Kicking off with 2012’s Back in Your Arms Again, they immediately went into a string of recently released tunes from their EP, Suited Up and Ready, and even included a tune from the upcoming full-length release titled Lies. After Born To Be Blue and Come on To Me, the Mavericks went through a memorable repertoire of their early hits (Pretend, I Said I Love You, Every Little Thing About You, and There Goes My Heart to name a few) while throwing in some tunes from Malo’s solo career, such as Moonlight Kiss.

Come time for a set break, Malo remained on stage as he usually has done, and provided the crowd a slowed-down version of Oh What A Thrill. He called up one of the best additions to the band, acordeonista Michael Guerra, and together, they belted out Besame Mucho.

The responsive crowd was also provided with musical treats, such as Twist and Shout and the tried and true Volver, Volver. The latter becoming a sing-a-long.

The encore brought them back for a short set, which included a tune from Malo’s last solo release, Sinners and Saints, and the classic All You Ever Do Is Bring Me Down.

Between Raul Malo’s vocals, Eddie Perez’s guitaristics, Michael Guerra’s sweet acordeon, Jerry Dale McFadden’s keyboards, Paul Deakin’s drumming, Elio Giordano’s upright bass artistry, Robert Reynolds acoustic guitar and harmonies, and a mighty fine horn section (including a trumpet playing virtuoso who had just joined the band), it was a music-filled night–powerful, tight, and oh so right.

As someone who truly enjoyed the Raul Malo solo years, it is good to see The Mavericks back together. Whatever differences they had that lead to a break-up, on Friday night, it seemed like the formula still works. The guys looked like they were having fun on stage and they responded to the crowd like they always have–with energy and a lot of love. It was an experience.

Now, the new EP has soothed Mavericks fans, but much has been asked about the full-length release, In Time. Back in July, they announced a September 25 release; however, Valery Music, their new label, announced a change to January to align with the start of their 2013 World Tour. After a few more dates this year, Malo takes off on a solo holiday tour up east.

What they say is true, Gruene Hall is an awesome venue for bands that have a relationship with the crowd. I wonder what the Saturday show was like?