Category Archives: DC Promo

Lupe Valdez Files for Texas Governor; Farm Worker Family Scrutinized

Sheriff Lupe Valdez has filed to run for Texas Governor in the Dem Primary. It was expected and hoped for by many who have thought of the current choices as a complete flatline–including me. Thanks, Lupe!

Like any major candidate, one attempts to connect with voters with a good narrative. And Lupe Valdez has a story.

Valdez was born in San Antonio in 1947, one of eight children in a family of migrant farm workers. She earned a bachelor’s degree in business administration from Southern Nazarene University — a liberal arts college in Bethany, Oklahoma — before receiving a master’s in criminology and criminal justice from the University of Texas at Arlington.

The story continues with her service in the US Army as a captain, her work as a federal agent with CPB and as an investigator and her trek toward becoming sheriff of the state’s second largest county. If anything, she was among the first Democrats to inject some hope into Dems about Texas one day becoming blue, having been elected Sheriff in that first blue Dallas wave in 2004.

As Sheriff, Valdez hasn’t backed away from Greg Abbott’s politicization of the immigration issue, particularly the use of 287(g). Valdez at one point decided that low-grade undocumented offenders wouldn’t be reported to ICE, earning her the ire of Greg Abbott and a threat that cities and counties who didn’t cooperate would have their funds cut. Her mention of deportations and family separations in her post-filing speech shows she’s the only candidate ready to take on Abbott.

As excited as I am about her candidacy, I was also a bit irked when I read a “fact-check” article about Lupe in which it seemed her farm worker kid life was being questioned.

“I am the youngest of eight children born to migrant workers.”

The fact-checking PolitiFact Texas project based at the Austin American-Statesman hasn’t independently verified that biographical detail.

What’s Selby looking for? Kennedy-esque 8mm video of the family arriving at some midwestern state? Of them going up and down the plowed fields picking sugar beets? Smiling for the camera? Of old pay stubs, which included the deductions for overpriced rent and groceries billed by the farmers, thus taking most of the summer’s paycheck?

South Texas Chicano families of 10 picking sugar beets in Cassleton, North Dakota, cherries in Sturgeon Bay, WI and tomatoes and strawberries in California and Bluffton, Indiana were the norm in the 50’s. That included the Medellins and the Sernas.

I take it a bit personally, having been the son of farm workers. I even had the privilege of hanging out in a sugar beet field one summer that our family needed to go earn some money. It wasn’t that successful a summer–long story. And I’m sure there are plenty of these long stories that are hard to document, but that many of us wear as badges of honor and with which we can identify.

If Selby and others want to know about Chicano farm worker life, then I suggest he watch “…And the Earth Did Not Swallow Him.” The movie based on the autobiography of Crystal City’s Tomas Rivera.

That said, I’m ready to support Lupe Valdez and I look forward to what develops.

UPDATE:  Lupe Valdez has provided the fact-checkers with photos of her migrant days. Instead of black/white photos, my response to them would have been a lot more…colorful.

 

 

Advertisements

Lina Hidalgo, Democrat for Harris County Judge, Responds to State of the County

Well, if you’re going to take on Ed Emmett (and Republicans, in general), Lina Hidalgo, Democrat for County Judge, offers up the right attitude and ideas on which to base such a challenge.

As much as it is a message to voters around the County, it is also a message to Democrats who so easily get enamored by so-called “moderates” who still do much for their right-wing-nut-job of a political party. Including staying quiet and raising dollars for them even when laws like SB4 are passed.

Give it a listen!

 

Save The Date: 10/16/17 – Rev. Barry Lynn in Houston

 
Join the Houston Chapter
of
 
Americans United for Separation of Church and State
 
As We Honor the 25 Years of Leadership
of
  The Reverend Barry W. Lynn
 Ordained Minister, Lawyer, Author
 
And Celebrate the 
70th anniversary of Americans United
 
 
“Americans United–
Past, Present and Future”
 
Monday, October 16, 2017
7:30 p.m. 
Emerson Unitarian Universalist Church
 
Free and open to the public       Plenty of free parking

Reception following program

38th Annual Festival Chicano Houston – Miller Outdoor Theatre

Houston’s best live music and cultural festival is back for it’s 38th year. Festival Chicano will be held October 5-6-7, 2017 at Miller Outdoor Theatre. Here’s your chance  to listen to the best music en La Onda Chicana, including Mazz, Jaime y Los Chamacos, Little Joe y La Familia, Shelly Lares, Street People, AB Quintanilla, La Fiebre, Sandy G Y Los Gavilanes, and Isabel Marie. Come join 5,000 or so of your closest friends each night.

Congrats and a big Gracias to Daniel Bustamante, the event founder and organizer for keeping nuestra cultura alive and at the forefront of the local music scene.

Houston Food Bank Food and Resource Fairs – Various Locations

Beginning September 5, 2017, Houston Food Bank and South Texas Dental will be hosting Food and Resource Fairs across the Houston area to assist those affected by Harvey.

Click on image to enlarge:

DC Reviews: Los Cenzontles ~ Carta Jugada

Get back to your roots, gente!

And with Carta Jugada, Los Cenzontles have given us a good way to do that.

Joining up with Los Texmaniacs and Flaco Jimenez, Los Cenzontles (a nahuatl word for mockingbird) have given us an amazing album of standards backed up by some amazing accordion, bajo sexto, guitar, tough bass lines and drums. Simple and to the point.

But it’s the voices of Fabiola Trujillo and Lucina Rodriguez that power this album from start to finish. Starting with the old vals Que Sacrificio and bolero Libro Abierto, backed up by Flaco Jimenez, one gets a good feeling about where this album is going. Throw in another Flaco backed ranchera in the classic Hermosimo Lucero and the title track vals and one knows this is a special album.

While Flaco Jimenez is the foremost ambassador of the accordion, one cannot but place Texmaniac Josh Baca close to the top of that list of premier squeezebox players. And his abilities are evident in my favorite tune on the album, La Traicionera, along with the dexterous bajo playing of his Tio Max Baca.

If one is looking for a huapango, one will find it on this album. Lucina and Eugene Rodriguez provide the vocals on Los Juiles, which includes some amazing rhythms and bajo/guitar playing. The corrido, Nomas Las Mujeres Quedan, is a tune about dueling ranch dynasties and about the women who are left. Finally, the closing tune is another favorite sung by Fabiola and Lucina, the beautiful bolero Una Pagina Mas, about a woman ready to leave the past to move forward in love and life.

The album is up at the different online sites. Get your copy now from Amazon or their Online Store.

About Los Cenzontles

Los Cenzontles is a band, a nonprofit organization, a music academy, a community space for youth and families, and a hub for Latino artists – all working together to amplify our Mexican roots here in the Bay Area and beyond.

We produce original music, videos, and educational tools. We teach classes to hundreds of local youth in traditional Mexican music, dance, and arts and crafts. We host many popular community events throughout the year.

Locally, we are a second home for many families and we are a long-standing leader in the Mexican roots revival here in the United States.

Make a contribution to this organization today.

 

DC Reviews: La Santa Cecilia ~ Amar y Vivir

81ezh15i8xl-_sy355_Released just in time for their arrival to Texas, La Santa Cecilia’s Amar y Vivir can only be described in a word:  Special. It’s a visual album, with already a few videos of their album performances on YouTube.

It’s traditional, it’s modern, and it’s full of love and life. The LA band’s newest production was recorded live in Mexico City at various plazas and locations around the city. With invited guests, such as Comisario Pantera, Noel Schajris, Mariachi America, Rebel Cats, Caña Dulce Caña Brava, Mon Laferte, and the amazing voice of Eugenia León to sweeten the various tunes, we are given a musical effort that will remain timeless.

Equally timeless is the voice of La Marisoul (Marisol Hernandez) who seems to knock every tune out of the park. While the guest artists provide some beautiful accompaniment, La Marisoul provides the emotional push to ensure a strong delivery of the songs.

The title track, Amar y Vivir, a haunting bolero thanks to some exceptional electric guitar playing, opens the album, while the amazing vals, Odiame, follows, both tunes solidifying the requinto as central to the album. LSC resurrects an old favorite of theirs with a mariachi-powered version of Como Dios Manda. Mar y Cielo is a sweet bolero, while the rockin’ ranchera Mexico Americano is a needed prideful addition.

La Santa Cecilia also managed to send me into a bawling frenzy during this Mother’s Day weekend with a beautiful rendition of Amor Eterno. Needless to say, I really miss Flo.

Volver a Los 17 is a beautiful tune, while Mon Laferte joins in on a wonderful vals, Ingrata. Then, we’re provided quite the treat with Smokey Robinson’s  You Really Got A Hold On Me, which La Marisoul simply owns.

Leña de Pirul is an old standard brought to life again, while Nuestro Juramento is a a beautiful bolero that will get your toes tapping along with lyrics to make us shudder. But it’s the last track, En El Ultimo Trago, which La Marisoul duets with Eugenia Leon, that will get a concert crowd to sing-along.

No doubt, it’s the voice of La Marisoul and the requinto-playing of Pepe Carlos that set this album apart from others in which standards are attempted. With the simple instruments of guitars and requinto, percussion, and upright bass, a foundation is set for an album that treats the songs respectfully and without a need to be showy. La Santa Cecilia is a band of musicians who take their music seriously, and this genre-bending LA band can compete with the best of them.

The new production is available on CD and vinyl. Get yours today!

THE CONCERT at HEIGHTS

La Santa Cecilia came to Texas to perform in the Big 3– SA, Houston, and Dallas–and I was able to check out their show at the Heights Theater. It was the perfect venue for them and a great crowd greeted them on Saturday.

LSC started with their bilingual rendition of The Beatles’ Strawberry Fields Forever, to which they once released a video depicting the travels of the strawberries that end up in our fridges–starting from the fields worked by farm workers. A few LSC favorites into the show, the crowd was told that Hernandez was feeling under the weather, so, she wouldn’t be doing her usual dancing and jumping on the stage which in itself revs up the crowd.

Still, La Marisoul powered through Vengo, I Won’t Cry For You, Sucede and other favorites, only taking a short minute break toward the end of their set. Their show included some of their latest tunes from Amar y Vivir, including the show closer, Mexico Americano, which earned some “Power to the People” fists in the air.

As much as one loves their albums, you can tell how good a band is through their live performances and La Santa Cecilia is just one of those bands. La Marisoul proved that the show must go on and she delivered vocal perfection. Catch them next time they’re in town.

Opening for La Santa Cecilia was San Antonio genre-benders Nicolas Valdez y Los Nahuatlatos. They can go from SKA to conjunto to cumbia and return to all three and more in one set. Valdez was quite impressive on the acordeon as was the horn and rhythm section.

I’m looking forward to the next time I catch both of these bands.

 

5/21/17 ~ Let’s Celebrate Muriel Stubbs

Early in April, we lost an amazing friend in Muriel Stubbs (obituary). For Harris County Democratic Party faithful, she was a committed volunteer who kept the office running smoothly on her day to manage it. She kept the volunteers busy and fed (usually Thomas BBQ or Hartz Fried Chicken). As far as Democratic conversations went, she was a source of history, but enjoyed seeking out others’ point of view just for the added discussion.

For me and my family, she was a wonderful friend, and a resource for all things having to do with literature and historical facts. She was a sweet friend to my mother, Flora, whom we lost over 15 months ago, too. Never had I seen two amazing women with very different upbringings get along so well and converse for hours on just about anything. Needless to say, after Mom left us, we still had a viejita to visit, have dinners and conversations with, and with whom to talk politics and life. And my family is better for it.

I’m thankful for Muriel being in our lives. I will miss her.

Muriel’s family and friends have scheduled a memorial service to be held Sunday, May 21, 2017. Much in Muriel’s style, it will be simple and casual. Although light snacks and cake will be served, the hall will provide a cash bar for beer, wine, and soft drinks.

A life so beautifully lived

deserves to be beautifully remembered

Please join us as we celebrate the life of

Muriel Stubbs

Sunday, May 21st, 2017

2 to 4 p.m.

American Legion Post 560

Garden Oaks

3720 Alba Road

Houston, TX 77018

 

DC Reviews ~ The Mavericks, Lonely Boys

I had never been to Whitewater on the Horseshoe Amphitheater located outside of New Braunfels. The park-like setting within huge trees and right by where the river forms a horseshoe was perfect for what seemed like a Catholic church jamaica (or bazaar for Houston folk) on steroids.

A few thousand of my closest friends braved 90 degree heat standing in line and awaiting the start of the concert only to catch the arrival of a “cool” blast that lowered temps to the mid-60s, while gusts made the night quite chilly. It was quite welcome by the fans and especially the bands.

mavswwThe Mavericks headlined in explosive fashion, opening with their latest single Brand New Day, from their newest album of the same title. Playing hits from BND consecutively, the band was tight and on time on Easy As It Seems and Damned (If You Do) which revved up the crowd. Vocalist Raul Malo led the ba nd back to their previous album with Back In Your Arms Again and other hits.

Hit after hit, The Mavs took us through a career-long repertoire in only two hours, including Dance The Night Away, What A Crying Shame, among others. Raul Malo even took the role of pianist while he offered up a velvety Goodnight Waltz and a rockin’ Ride With Me, both tunes where we hear the best from the entire band. A welcome tune (for me) was one of Malo’s solo hits, Lucky One.

And, oh, The Mavericks band. Eddie and his guitaristics, Michael Guerra and his impeccable accordionistics, JD and his groovy keyboard riffs, Abrams and Diaz with their solid horns, the powerful drumming of Paul Deakin, and the bass lines of Ed Friedland are what keep The Mavericks at the top of their game. There have been plenty of varying line-ups of The Mavs and their Fantastic Four, but this one has to be among the best.

After what seemed to be the closing with As Long As There’s Loving Tonight at midnight, Malo returned with his Fender and gave us, in honor of Willie Nelson’s 84th birthday, Crazy. He continued with a favorite that his Cuban abuelo would sing, La Sitiera, with a powerful ending provided by the rest of the band. Then came the song we love, but don’t want to hear because it usually signifies the show’s ending:  All You Ever Do Is Bring Me Down. The Mavericks blew us away throughout the night.

After four hours and three bands and a terrible electrical storm that could be seen in the distance, the fans had had their fill, if not enough. The Mavericks showed a lot of love for their fans and the fans, as always, returned it.

lboysLos Lonely Boys performed prior to The Mavs and the three-man band was just as powerful as they’ve ever been. They took us through some of the best tunes from their latest album, Revelation. Give A Little More, Blame It On Love, and So Sensual were among the new tunes. They took us back to their debut album with Velvet Sky and Crazy Dream. Several solos and some Texican Blues later, they brought out Henry’s son on guitar to help with their gigantic hit, Heaven, which then became a family affair as JoJo and Ringo also brought out their families to sing along with the crowd.

The night’s opener didn’t fall behind in their musical abilities, as The Last Bandoleros gave us a short show filled with tunes from their EP, including I Don’t Want To Know and Where Do You Go. The band, which includes Emilio Navaira’s eldest sons (Diego and Emilio IV) rocked out and gave the overheated crowd some satisfaction before the cold winds arrived. Already having appeared on national TV and serving as show openers for Sting’s latest tour, The Last Bandoleros, including Derek James, Jerry Fuentes, and bad-ass accordionist Percy Cardona, are already going places.

Kudos to the folks at Whitewater for providing a great venue and some amazing sound.

 

EVENT on 4/24/17: Future of Public Ed in the Era of DeVos

amunited

Americans United for Separation of Church and State

Greater Houston Chapter

invites you to our Annual Meeting and Panel Discussion 

The Future of Public Education in
the Era of Betsy DeVos

Featuring:  Richard Carranza, Supt., Houston ISD; Zeph Capo, President of HFT,  Dr. John Ogletree, Pastors for Texas Children

Moderated by Juliet Stipeche
Director of Education, Mayor’s Office, City of Houston
 
Monday, April 24, 2017
Reception and Annual Meeting – 6:30 pm
Panel Discussion – 7:15 pm
 
Interfaith Ministries for Greater Houston Event Center
3303 Main Street, Houston, Texas 
 
Event is free and open to the public          Free parking available
         RSVP appreciated:  americansunited.houstonchapter@gmail.com